Vital Crises in Italian Cinema: Iconography, Stylistics, PoliticsUniversity of Texas Press, 1995 - 239 من الصفحات Italian films of the post-World War II period showed an extraordinary power and originality that sets them apart from others in the history of Italian cinema. In this book, P. Adams Sitney combines new interpretations of many of these films with original research into the intellectual milieu in which they were made in order to explain them as reflections of Italian national life during moments of vital self-definition. The films Sitney analyzes were made during the years 1945-1950 and 1958-1963. Taking six films from the first period and nine from the second, he focuses on three interrelated aspects: the ways in which they refer, directly or obliquely, to the social and political issues of their times; their relationships to contemporary currents in Italian literature; and their elaborations of a traditional iconography to which they actively contribute. Rossellini, Visconti, De Sica, Zavattini, Antonioni, Pasolini, Olmi, and Rosi are among the directors whose work he discusses. The films include Paisa, La terra trema, La dolce vita, and Il deserto rosso. |
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النتائج 1-3 من 29
الصفحة 45
... Paisà the new machines are merely jeeps , airplanes , and guns ; the houses are the old buildings of Italy , when they are not in ruins ; but there is such a freshness in the representation of simple acts of survival , and of the ...
... Paisà the new machines are merely jeeps , airplanes , and guns ; the houses are the old buildings of Italy , when they are not in ruins ; but there is such a freshness in the representation of simple acts of survival , and of the ...
الصفحة 54
... Paisà this image is the equivalent of the cave of the dispossessed in Joe's eyes . Furthermore , like Pasquale from the Neapolitan episode , this anony- mous baby is one of the child witnesses of the agony of Fascism and war . Of course ...
... Paisà this image is the equivalent of the cave of the dispossessed in Joe's eyes . Furthermore , like Pasquale from the Neapolitan episode , this anony- mous baby is one of the child witnesses of the agony of Fascism and war . Of course ...
الصفحة 223
... Paisà and other surviving scenarios from the time of production were published in Rosselliniana : Bibliografia internazionale Dossier " Paisà . " Amidei's soggetto had six episodes of which three - the first , the second , and the fifth ...
... Paisà and other surviving scenarios from the time of production were published in Rosselliniana : Bibliografia internazionale Dossier " Paisà . " Amidei's soggetto had six episodes of which three - the first , the second , and the fifth ...
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عبارات ومصطلحات مألوفة
Accattone Acitrezza allusion American Antonioni bicycle brother Cabiria camera Christian cinema italiano città aperta Claudia comic Communist Courtesy critical culture Dantean death deserto rosso dialect dolce vita Don Pietro dramatic economic miracle encounter episode erotic fantasy Fascist father Fellini Film Stills Archive film's filmmaker final Germans gesture Giovanni Giuseppe iconographic Il deserto rosso Italian cinema Italian films Italy L'avventura L'eclisse La dolce vita La terra trema Ladri di biciclette Lidia Liliana literary Manfredi Marcello Milan Miracolo a Milano montage moral Museum of Modern Nadia narrative neorealism Ninetto notte novel Ntoni Olmi opening Paisà partisan party Pasquale Pier Paolo Pasolini Piero police political postwar prostitute protagonist Resistance Ricci Roma Rome Rosi's Rossellini Salvatore Giuliano Sandro scene Sciuscià script sexual shot Sica Sica's Sicilian Sicily Simone social story stylistic terra trema tion Totò turns Uccellacci e uccellini Umberto Valastros Verga's viewer Visconti Vittoria woman Zavattini