Vital Crises in Italian Cinema: Iconography, Stylistics, Politics
University of Texas Press, 1995 - 239 من الصفحات
Italian films of the post-World War II period showed an extraordinary power and originality that sets them apart from others in the history of Italian cinema. In this book, P. Adams Sitney combines new interpretations of many of these films with original research into the intellectual milieu in which they were made in order to explain them as reflections of Italian national life during moments of vital self-definition. The films Sitney analyzes were made during the years 1945-1950 and 1958-1963. Taking six films from the first period and nine from the second, he focuses on three interrelated aspects: the ways in which they refer, directly or obliquely, to the social and political issues of their times; their relationships to contemporary currents in Italian literature; and their elaborations of a traditional iconography to which they actively contribute. Rossellini, Visconti, De Sica, Zavattini, Antonioni, Pasolini, Olmi, and Rosi are among the directors whose work he discusses. The films include Paisa, La terra trema, La dolce vita, and Il deserto rosso.
20 من الصفحات تتطابق مع workers في هذا الكتاب
النتائج 1-3 من 20
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
The National Language Dialect and the Southern Question
7 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
Accattone Acitrezza allusion American Antonioni bicycle brother Cabiria camera Christian cinema italiano citta aperta Claudia comic Communist Courtesy critical culture Dantean death deserto rosso dialect dolce vita Don Pietro dramatic economic miracle encounter episode erotic fantasy Fascist father Fellini Film Stills Archive film's filmmaker final free indirect discourse Germans gesture Giovanni Giuseppe icon iconographic Italian cinema Italian films Italo Calvino Italy L'avventura L'eclisse Ladri di biciclette Lidia Liliana literary Mamma Roma Manfredi Marcello Milan Miracolo a Milano montage moral Nadia narrative neorealism Ninetto notte novel Ntoni Olmi opening Paisa partisan party Pasquale Pier Paolo Pasolini Piero police political postwar prostitute protagonist Resistance Ricci Roma Roman Rome Rosi's Rossellini Salvatore Giuliano Sandro scene Sciuscia script sexual shot Sica Sica's Sicilian Sicily Simone social storia del cinema story stylistic terra trema tion trema turns Uccellacci e uccellini Umberto Valastros Verga's viewer Visconti Vittoria woman workers Zavattini