May compass it, shall willingly be paid And number'd down: much rather I shall choose No, I am fix'd, not to part hence without him. If need be, I am ready to forego And quit: not wanting him, I shall want nothing. Useless, and thence ridiculous, about him. And since his strength with eye-sight was not lost, God will restore him eye-sight to his strength. CHо. Thy hopes are not ill founded, nor seem vain 1480 1485 1490 1495 1500 Of his delivery, and thy joy thereon Conceived, agreeable to a father's love, In both which we, as next, participate. 1505 MAN. I know your friendly minds, and-O, what noise! CHO. Noise call you it, or universal groan, Blood, death, and deathful deeds are in that noise, 1490. It shall be my delight, &c. The character of a fond parent is extremely well supported in the person of Manoah quite through the whole performance, but there is in my opinion something peculiarly natural and moving in this speech. The circumstance of the old man's feeding and soothing his fancy with the thoughts of tending his son, and contemplating him ennobled with so many famous exploits, is vastly expressive of the doating fondness of an old father. Nor is the poet less to be admired for his making Manoah, under the influence of this pleasing imagination, go on still further, and flatter himself even with the 1510 hopes of God's restoring his eyes again.THYER. 1508. O, what noise! Observe with what art and judgment Milton prepares the reader for the relation of the catastrophe of this tragedy. This abrupt start of Manoah upon hearing the hideous noise, and the description of it by the Chorus in their answer, in terms so full of dread and terror, naturally fill the mind with a presaging horror proper for the occasion.-THYER. Nothing can be more impressive, more calculated to excite pity, than the revolution of Samson's fate, which is now developed.-TODD. MAN. Of ruin indeed methought I heard the noise: 1515 O! it continues: they have slain my son. CHо. Thy son is rather slaying them; that outcry From slaughter of one foe could not ascend. MAN. Some dismal accident it needs must be: What shall we do: stay here, or run and see? 1520 CHо. Best keep together here, lest, running thither, We unawares run into danger's mouth. From whom could else a general cry be heard? MAN. That were a joy presumptuous to be thought. For his people of old; what hinders now? 1525 1530 MAN. He can, I know, but doubt to think he will; 1535 CHо. Of good or bad so great, of bad the sooner; 1540 Enter MESSENGER. MES. O, whither shall I run, or which way fly The sight of this so horrid spectacle, Which erst my eyes beheld, and yet behold? For dire imagination still pursues me. But providence or instinct of nature seems, 1545 Or reason, though disturb'd, and scarce consulted, To have guided me aright, I know not how, 1550 MAN. The accident was loud, and here before thee MES. It would burst forth, but I recover breath 1555 And sense distract, to know well what I utter. MAN. Sad, but thou know'st to Israelites not saddest 1560 The desolation of a hostile city. MES. Feed on that first: there may in grief be surfeit. MAN. Relate by whom. MES. By Samson. ΜΑΝ. That still lessens 1565 The sorrow, and converts it nigh to joy. MAN. Suspense in news is torture; speak them out. MES. Take then the worst in brief: Samson is dead. 1570 MAN. The worst indeed! O, all my hopes defeated To free him hence! but death, who sets all free, Hath paid his ransom now and full discharge. ΜΑΝ. Self-violence? what cause Inevitable cause, MES. 1575 1580 1585 MAN. O, lastly over-strong against thyself! 1590 1595 MES. Occasions drew me early to this city; Through each high street: little I had despatch'd, son in particular, with head inclined and eyes fix'd, as if he was addressing him 1565. The reader cannot fail to observe and to feel the art of the poet, in very gradually unfolding the catastrophe.self to that God who had given him such Jos. WARTON. 1590. Occasions drew me early, &c. As I observed before, that Milton had, with great art, excited the reader's attention to this grand event, so here he is no less careful to gratify it by the relation. It Is circumstantial, as the importance of it required, but not so as to be tedious or too long, to delay our expectation. It would be found difficult, I believe, to retrench one article without making it defective, or to add one which would not appear redundant. The picture of Sam a measure of strength, and was summing up all his force and resolution, has a very fine effect upon the imagination. Milton is no less happy in the sublimity of his description of this grand exploit, than judicious in the choice of the circumstances preceding it. The poetry rises as the subject becomes more interesting, and one may say, without extravagance, that the poet seems to exert no less force of genius in describing, than Samson does strength of body in executing.— THYER. When all abroad was rumour'd that this day The building was a spacious theatre The other side was open, where the throng 1600 1605 On banks and scaffolds under sky might stand; 1610 The feast and noon grew high, and sacrifice When to their sports they turn'd. Immediately Had fill'd their hearts with mirth, high cheer, and wine, Was Samson as a publick servant brought, At length for intermission sake they led him I mean to show you of my strength, yet greater, As with amaze shall strike all who behold. This utter'd, straining all his nerves he bow'd: 1619. Cataphracts: Horsemen in armour. 1615 1620 1625 1630 1635 1640 1645 He tugg'd, he shook, till down they came, and drew CHO. O dearly-bought revenge, yet glorious! The work for which thou wast foretold To Israel, and now liest victorious Among thy slain, self-kill'd, Of dire necessity, whose law in death conjoin'd 1650 1655 1660 Not willingly, but tangled in the fold 1665 Thee with thy slaughter'd foes in number more 1. SEMI-CHOR. While their hearts were jocund and sublime, Drunk with idolatry, drunk with wine, 1670 And fat regorged of bulls and goats, Chanting their idol, and preferring Before our Living Dread who dwells Among them he a spirit of phrenzy sent, 1675 2. SEMI-CHOR. But he, though blind of sight, |