The Works of Samuel Johnson, LL. D.F.C. and J. Rivington, 1823 |
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الصفحة 3
... proper toil of artless industry ; a task that requires neither the light of learning , nor the activity of genius , but may be successfully performed without any higher quality than that of bearing burthens with dull patience , and ...
... proper toil of artless industry ; a task that requires neither the light of learning , nor the activity of genius , but may be successfully performed without any higher quality than that of bearing burthens with dull patience , and ...
الصفحة 9
... proper to print those which are incorporated into the language in the usual character , and those which are still to be considered as foreign , in the italick letter . Another question may arise with regard to appel- latives , or the ...
... proper to print those which are incorporated into the language in the usual character , and those which are still to be considered as foreign , in the italick letter . Another question may arise with regard to appel- latives , or the ...
الصفحة 10
... proper to omit them , since it is rather to be wished that many readers should find more than they expect , than that one should miss what he might hope to find . When all the words are selected and arranged , the first part of the work ...
... proper to omit them , since it is rather to be wished that many readers should find more than they expect , than that one should miss what he might hope to find . When all the words are selected and arranged , the first part of the work ...
الصفحة 12
... proper to trace back the orthography of different ages , and shew by what gradations the word de- parted from its original . Closely connected with orthography is pronun- ciation , the stability of which is of great impor- tance to the ...
... proper to trace back the orthography of different ages , and shew by what gradations the word de- parted from its original . Closely connected with orthography is pronun- ciation , the stability of which is of great impor- tance to the ...
الصفحة 13
Samuel Johnson, Arthur Murphy. It may likewise be proper to remark metrical li- censes , such as contractions , generous , gen'rous ; re- verend , rev'rend ; and coalitions , as region , question . But it is still more necessary to fix ...
Samuel Johnson, Arthur Murphy. It may likewise be proper to remark metrical li- censes , such as contractions , generous , gen'rous ; re- verend , rev'rend ; and coalitions , as region , question . But it is still more necessary to fix ...
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ancient appeared attempt Banquo beauty censure character commerce common considered copies criticism curiosity dictionary died hereafter diligence discovered drama easily editions editor elegance Eloisa to Abelard endeavoured English enquiry Epictetus EPITAPHS equally excellence exhibit expected Falstaff favour formed France French genius Habit happiness Harleian library Henry Henry VI honour hope imagination justly kind king king of Portugal knowledge known labour language learning less likewise Macbeth mankind means ment mind nation nature necessary neglected neral never NOTE obscure observed opinion orthography passage passions perfect spy perhaps play poet Pope Portuguese praise preserved Prester John preter prince produced publick racters reader reason religion remarkable Roman scenes seems sense sentiments Shakespeare shew shewn sometimes Spain speech suffered sufficient supplied supposed things thought tion trade traffick tragedy truth witches words writers written
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الصفحة 464 - She should have died hereafter ; There would have been a time for such a word. To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death.
الصفحة 452 - It will have blood, they say ; blood will have blood : Stones have been known to move, and trees to speak ; Augurs, and understood relations, have By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.
الصفحة 433 - Come, you spirits That tend on mortal thoughts, unsex me here, And fill me, from the crown to the toe, top-full Of direst cruelty ! make thick my blood, Stop up the access and passage to remorse, That no compunctious visitings of nature Shake my fell purpose, nor keep peace between The effect and it...
الصفحة 139 - All the images of nature were still present to him, and he drew them, not laboriously, but luckily; when he describes anything, you more than see it, you feel it too. Those who accuse him to have wanted learning give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read nature; he looked inwards and found her there.
الصفحة 90 - He sacrifices virtue to convenience, and is so much more careful to please than to instruct, that he seems to write without any moral purpose.
الصفحة 439 - Pale Hecate's offerings; and wither'd murder, Alarum'd by his sentinel, the wolf, Whose howl's his watch, thus with his stealthy pace, With Tarquin's ravishing strides, towards his design Moves like a ghost. Thou sure and firm-set earth, Hear not my steps which way they walk, for fear Thy very stones prate of my whereabout And take the present horror from the time, Which now suits with it.
الصفحة 423 - Tiger : But in a sieve I'll thither sail, And, like a rat without a tail, I'll do, I'll do, and I'll do.
الصفحة 137 - Notes are often necessary, but they are necessary evils. Let him, that is yet unacquainted with the powers of Shakespeare, and who desires to feel the highest pleasure that the drama can give, read every play from the first scene to the last, with utter negligence of all his commentators.
الصفحة 83 - This, therefore, is the praise of Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination in following the phantoms which other writers raise up before him may here be cured of his delirious ecstasies by reading human sentiments in human language, by scenes from which a hermit may estimate the transactions of the world and a confessor predict the progress of the passions.
الصفحة 79 - The effects of favour and competition are at an end ; the tradition of his friendships and his enmities has perished ; his works support no opinion with arguments, nor supply any faction with invectives ; they can neither indulge vanity, nor gratify malignity ; but are read without any other reason than the desire of pleasure, and are therefore praised only as pleasure is obtained...