Dramatic Theory and the Rhymed Heroic PlayH. Milford, Oxford University Press, 1931 - 235 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 30
الصفحة 44
... D'Avenant and of the drama was secure . I From this summary of D'Avenant's interregnum acti- vities one consideration emerges which has a decided bearing on the question of the continuity of dramatic development . Whereas The First ...
... D'Avenant and of the drama was secure . I From this summary of D'Avenant's interregnum acti- vities one consideration emerges which has a decided bearing on the question of the continuity of dramatic development . Whereas The First ...
الصفحة 45
... D'Avenant's \ Commonwealth productions which affords us a reliable indication of the way in which serious drama was develop- ing ; it alone enables us to estimate whether D'Avenant was merely aiming at a modification of a previous type ...
... D'Avenant's \ Commonwealth productions which affords us a reliable indication of the way in which serious drama was develop- ing ; it alone enables us to estimate whether D'Avenant was merely aiming at a modification of a previous type ...
الصفحة 162
Cecil Victor Deane. he gives D'Avenant the credit of first employing the coup- let successfully in the contemporary drama , suggests that the idea of turning The Siege of Rhodes into a ' just drama ' only occurred to D'Avenant after the ...
Cecil Victor Deane. he gives D'Avenant the credit of first employing the coup- let successfully in the contemporary drama , suggests that the idea of turning The Siege of Rhodes into a ' just drama ' only occurred to D'Avenant after the ...
المحتوى
Chapter One INTRODUCTION | 1 |
Influence of Theatrical Conditions on the Drama | 58 |
Tragicomedy | 77 |
7 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
Dramatic Theory and the Rhymed Heroic Play <span dir=ltr>Cecil V. Deane</span> لا تتوفر معاينة - 2007 |
عبارات ومصطلحات مألوفة
Acacis actors Ancients appear argument audience Beaumont and Fletcher blank verse bombast characters chiefly comedy comic admixture Conquest of Granada considered contemporary Corneille Corneille's couplet Crites D'Aubignac D'Avenant D'Avenant's décor simultané Descartes Dramatic Poesy Dryden Duke of Lerma England English criticism English drama English stage epic Essay of Dramatic example favour France French criticism Gonsalvo happy ending Henry the Fifth hero heroic drama heroic play heroic poem Howard incidents Indian Queen influence King latter Le Cid love and honour lovers Massinissa Maximin Mesnardière Montezuma Mustapha nature neo-classic observed opera Orrery Orrery's passage passion period Platonic playwrights plot poet poetic Poetry points preface probably remarks Restoration Rival Ladies romances Roxolana rule Rutland House Saint-Evremond says scenery scenes sentiment serious play setting shows Siege of Rhodes spectacle theatre theory tion tragedy tragic tragicomedy Tyrannick Love unity of action unity of place violent action writing Zempoalla