Dramatic Theory and the Rhymed Heroic PlayH. Milford, Oxford University Press, 1931 - 235 من الصفحات |
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الصفحة 70
... England , where there was no such prohibition , we As instances of the prevalence of this mood in England , we may again mention Tate's alteration of the ending of King Lear and Otway's of Bérénice . In the early 18th century we get ...
... England , where there was no such prohibition , we As instances of the prevalence of this mood in England , we may again mention Tate's alteration of the ending of King Lear and Otway's of Bérénice . In the early 18th century we get ...
الصفحة 97
... England . The authority conferred on the Unities by the Academy helps to account for the fact that there was more uniformity in complying with them , and less diversity in the way in which criticism received them , in France than in England ...
... England . The authority conferred on the Unities by the Academy helps to account for the fact that there was more uniformity in complying with them , and less diversity in the way in which criticism received them , in France than in England ...
الصفحة 117
... England during the early years of the Restoration , which will be discussed later . The scenic arrangements for the French regular drama were conservative , for not till the middle of the eighteenth century did successive scenes become ...
... England during the early years of the Restoration , which will be discussed later . The scenic arrangements for the French regular drama were conservative , for not till the middle of the eighteenth century did successive scenes become ...
المحتوى
Chapter One INTRODUCTION | 1 |
Influence of Theatrical Conditions on the Drama | 58 |
Tragicomedy | 77 |
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Dramatic Theory and the Rhymed Heroic Play <span dir=ltr>Cecil V. Deane</span> لا تتوفر معاينة - 2007 |
عبارات ومصطلحات مألوفة
Acacis actors Ancients appear argument audience Beaumont and Fletcher blank verse bombast characters chiefly comedy comic admixture Conquest of Granada considered contemporary Corneille Corneille's couplet Crites D'Aubignac D'Avenant D'Avenant's décor simultané Descartes Dramatic Poesy Dryden Duke of Lerma England English criticism English drama English stage epic Essay of Dramatic example favour France French criticism Gonsalvo happy ending Henry the Fifth hero heroic drama heroic play heroic poem Howard incidents Indian Queen influence King latter Le Cid love and honour lovers Massinissa Maximin Mesnardière Montezuma Mustapha nature neo-classic observed opera Orrery Orrery's passage passion period Platonic playwrights plot poet poetic Poetry points preface probably remarks Restoration Rival Ladies romances Roxolana rule Rutland House Saint-Evremond says scenery scenes sentiment serious play setting shows Siege of Rhodes spectacle theatre theory tion tragedy tragic tragicomedy Tyrannick Love unity of action unity of place violent action writing Zempoalla