Dramatic Theory and the Rhymed Heroic PlayH. Milford, Oxford University Press, 1931 - 235 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 43
الصفحة 81
... audience , it being as it were two Plays in one . ' Unfortunately there are but few signs , in the practice of contemporary drama , of this ideal having been striven for ; much less attained . Dryden , as we know , admitted on one ...
... audience , it being as it were two Plays in one . ' Unfortunately there are but few signs , in the practice of contemporary drama , of this ideal having been striven for ; much less attained . Dryden , as we know , admitted on one ...
الصفحة 137
... audience on the latter's behalf . On the other hand , the duel in which Rodrigue kills le Comte is enacted off the stage , for fear of detracting sympathy from the hero . Corneille does not venture to say , however , whether death ...
... audience on the latter's behalf . On the other hand , the duel in which Rodrigue kills le Comte is enacted off the stage , for fear of detracting sympathy from the hero . Corneille does not venture to say , however , whether death ...
الصفحة 141
... audience cannot forbear laughing when the actors are to die ; it is the most comic part of the whole play . ' He points out the absurdity of representing an army by a drum with five men behind it , and commends the French for their ...
... audience cannot forbear laughing when the actors are to die ; it is the most comic part of the whole play . ' He points out the absurdity of representing an army by a drum with five men behind it , and commends the French for their ...
المحتوى
Chapter One INTRODUCTION | 1 |
Influence of Theatrical Conditions on the Drama | 58 |
Tragicomedy | 77 |
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Dramatic Theory and the Rhymed Heroic Play <span dir=ltr>Cecil V. Deane</span> لا تتوفر معاينة - 2007 |
عبارات ومصطلحات مألوفة
Acacis actors Ancients appear argument audience Beaumont and Fletcher blank verse bombast characters chiefly comedy comic admixture Conquest of Granada considered contemporary Corneille Corneille's couplet Crites D'Aubignac D'Avenant D'Avenant's décor simultané Descartes Dramatic Poesy Dryden Duke of Lerma England English criticism English drama English stage epic Essay of Dramatic example favour France French criticism Gonsalvo happy ending Henry the Fifth hero heroic drama heroic play heroic poem Howard incidents Indian Queen influence King latter Le Cid love and honour lovers Massinissa Maximin Mesnardière Montezuma Mustapha nature neo-classic observed opera Orrery Orrery's passage passion period Platonic playwrights plot poet poetic Poetry points preface probably remarks Restoration Rival Ladies romances Roxolana rule Rutland House Saint-Evremond says scenery scenes sentiment serious play setting shows Siege of Rhodes spectacle theatre theory tion tragedy tragic tragicomedy Tyrannick Love unity of action unity of place violent action writing Zempoalla