Dramatic Theory and the Rhymed Heroic PlayH. Milford, Oxford University Press, 1931 - 235 من الصفحات |
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الصفحة 39
... frequently during the Commonwealth period , sometimes in quite an open and public manner . Thus , during the latter part of 1647 ( when the war was regarded as at an end ) and at the beginning of 1648 , the players took advantage of the ...
... frequently during the Commonwealth period , sometimes in quite an open and public manner . Thus , during the latter part of 1647 ( when the war was regarded as at an end ) and at the beginning of 1648 , the players took advantage of the ...
الصفحة 51
... frequent resort to bombast recalls the wilder flights of Crimalhaz and the Empress in that play . The adapters of ... frequently found wanting as judged by the newly - established standards , and were adapted so as to comply with the ...
... frequent resort to bombast recalls the wilder flights of Crimalhaz and the Empress in that play . The adapters of ... frequently found wanting as judged by the newly - established standards , and were adapted so as to comply with the ...
الصفحة 53
... frequently . Plays , however , which indulge much in scenes of blood and torture , such as those of Settle , derive from the Webster - Ford - Tourneur school rather than from the Romantic Tragicomedy . We may say also that the frequent ...
... frequently . Plays , however , which indulge much in scenes of blood and torture , such as those of Settle , derive from the Webster - Ford - Tourneur school rather than from the Romantic Tragicomedy . We may say also that the frequent ...
المحتوى
Chapter One INTRODUCTION | 1 |
Influence of Theatrical Conditions on the Drama | 58 |
Tragicomedy | 77 |
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Dramatic Theory and the Rhymed Heroic Play <span dir=ltr>Cecil V. Deane</span> لا تتوفر معاينة - 2007 |
عبارات ومصطلحات مألوفة
Acacis actors Ancients appear argument audience Beaumont and Fletcher blank verse bombast characters chiefly comedy comic admixture Conquest of Granada considered contemporary Corneille Corneille's couplet Crites D'Aubignac D'Avenant D'Avenant's décor simultané Descartes Dramatic Poesy Dryden Duke of Lerma England English criticism English drama English stage epic Essay of Dramatic example favour France French criticism Gonsalvo happy ending Henry the Fifth hero heroic drama heroic play heroic poem Howard incidents Indian Queen influence King latter Le Cid love and honour lovers Massinissa Maximin Mesnardière Montezuma Mustapha nature neo-classic observed opera Orrery Orrery's passage passion period Platonic playwrights plot poet poetic Poetry points preface probably remarks Restoration Rival Ladies romances Roxolana rule Rutland House Saint-Evremond says scenery scenes sentiment serious play setting shows Siege of Rhodes spectacle theatre theory tion tragedy tragic tragicomedy Tyrannick Love unity of action unity of place violent action writing Zempoalla