Dramatic Theory and the Rhymed Heroic PlayH. Milford, Oxford University Press, 1931 - 235 من الصفحات |
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الصفحة 3
... less stereotyped situations and even seeks to appeal to emotions different from those usually evoked . The last phase more or less coincides with the return to blank verse , i.e. from about 1678 onwards ; therefore , since our B 2 ...
... less stereotyped situations and even seeks to appeal to emotions different from those usually evoked . The last phase more or less coincides with the return to blank verse , i.e. from about 1678 onwards ; therefore , since our B 2 ...
الصفحة 81
... less grateful to the audience , it being as it were two Plays in one . ' Unfortunately there are but few signs , in the practice of contemporary drama , of this ideal having been striven for ; much less attained . Dryden , as we know ...
... less grateful to the audience , it being as it were two Plays in one . ' Unfortunately there are but few signs , in the practice of contemporary drama , of this ideal having been striven for ; much less attained . Dryden , as we know ...
الصفحة 177
... less eager for verisimilitude than for the freedom from restrictions which had prevailed in the drama of the previous age . He was equally hostile to rhyme and to the rules . Dryden , on the other hand , was well aware that the heroic ...
... less eager for verisimilitude than for the freedom from restrictions which had prevailed in the drama of the previous age . He was equally hostile to rhyme and to the rules . Dryden , on the other hand , was well aware that the heroic ...
المحتوى
Chapter One INTRODUCTION | 1 |
Influence of Theatrical Conditions on the Drama | 58 |
Tragicomedy | 77 |
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Dramatic Theory and the Rhymed Heroic Play <span dir=ltr>Cecil V. Deane</span> لا تتوفر معاينة - 2007 |
عبارات ومصطلحات مألوفة
Acacis actors Ancients appear argument audience Beaumont and Fletcher blank verse bombast characters chiefly comedy comic admixture Conquest of Granada considered contemporary Corneille Corneille's couplet Crites D'Aubignac D'Avenant D'Avenant's décor simultané Descartes Dramatic Poesy Dryden Duke of Lerma England English criticism English drama English stage epic Essay of Dramatic example favour France French criticism Gonsalvo happy ending Henry the Fifth hero heroic drama heroic play heroic poem Howard incidents Indian Queen influence King latter Le Cid love and honour lovers Massinissa Maximin Mesnardière Montezuma Mustapha nature neo-classic observed opera Orrery Orrery's passage passion period Platonic playwrights plot poet poetic Poetry points preface probably remarks Restoration Rival Ladies romances Roxolana rule Rutland House Saint-Evremond says scenery scenes sentiment serious play setting shows Siege of Rhodes spectacle theatre theory tion tragedy tragic tragicomedy Tyrannick Love unity of action unity of place violent action writing Zempoalla