Dramatic Theory and the Rhymed Heroic PlayH. Milford, Oxford University Press, 1931 - 235 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 23
الصفحة 18
... represented ' . Oreste's narrative pro- vided him with the opportunity of a spectacular scene - a temple , with processions and hymns . Pyrrhus is killed on the stage , and his body is dragged ' off ' by the Greeks . Though amply shown ...
... represented ' . Oreste's narrative pro- vided him with the opportunity of a spectacular scene - a temple , with processions and hymns . Pyrrhus is killed on the stage , and his body is dragged ' off ' by the Greeks . Though amply shown ...
الصفحة 91
... represented should coin- cide with the two or three hours required for performance , ' but that being hard and almost impossible , in certain occasions the Poet has the liberty to suppose a longer time by some hours , in which the ...
... represented should coin- cide with the two or three hours required for performance , ' but that being hard and almost impossible , in certain occasions the Poet has the liberty to suppose a longer time by some hours , in which the ...
الصفحة 154
... represented by The Rehearsal , Dryden with great élan vindicates Almanzor's fiery temper and insolent language by citing illustrious precedents for the inexorable type of char- acter in the epics of Homer and Tasso . He describes the ...
... represented by The Rehearsal , Dryden with great élan vindicates Almanzor's fiery temper and insolent language by citing illustrious precedents for the inexorable type of char- acter in the epics of Homer and Tasso . He describes the ...
المحتوى
Chapter One INTRODUCTION | 1 |
Influence of Theatrical Conditions on the Drama | 58 |
Tragicomedy | 77 |
7 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
Dramatic Theory and the Rhymed Heroic Play <span dir=ltr>Cecil V. Deane</span> لا تتوفر معاينة - 2007 |
عبارات ومصطلحات مألوفة
Acacis actors Ancients appear argument audience Beaumont and Fletcher blank verse bombast characters chiefly comedy comic admixture Conquest of Granada considered contemporary Corneille Corneille's couplet Crites D'Aubignac D'Avenant D'Avenant's décor simultané Descartes Dramatic Poesy Dryden Duke of Lerma England English criticism English drama English stage epic Essay of Dramatic example favour France French criticism Gonsalvo happy ending Henry the Fifth hero heroic drama heroic play heroic poem Howard incidents Indian Queen influence King latter Le Cid love and honour lovers Massinissa Maximin Mesnardière Montezuma Mustapha nature neo-classic observed opera Orrery Orrery's passage passion period Platonic playwrights plot poet poetic Poetry points preface probably remarks Restoration Rival Ladies romances Roxolana rule Rutland House Saint-Evremond says scenery scenes sentiment serious play setting shows Siege of Rhodes spectacle theatre theory tion tragedy tragic tragicomedy Tyrannick Love unity of action unity of place violent action writing Zempoalla