Dramatic Theory and the Rhymed Heroic PlayH. Milford, Oxford University Press, 1931 - 235 من الصفحات |
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الصفحة 100
... whole action centres in the settling of Morose's estate on Dauphine , while liaison of scenes ' is not broken above twice or thrice at most in the whole comedy ' . The last - mentioned point is given a separate treatment in the dialogue ...
... whole action centres in the settling of Morose's estate on Dauphine , while liaison of scenes ' is not broken above twice or thrice at most in the whole comedy ' . The last - mentioned point is given a separate treatment in the dialogue ...
الصفحة 123
... whole town , but merely that the whole action , including that which takes place behind the scenes , is confined to Aulis or Argos . The proscenium can only represent some open place of ordinary extent ; ' as far as a man can see ...
... whole town , but merely that the whole action , including that which takes place behind the scenes , is confined to Aulis or Argos . The proscenium can only represent some open place of ordinary extent ; ' as far as a man can see ...
الصفحة 219
... whole- some restraint on the heroic plays of our period ; for the latter had in them something to restrain . The overflowing vigour of a play such as The Conquest of Granada , for example , partly manifests itself in the profusion of ...
... whole- some restraint on the heroic plays of our period ; for the latter had in them something to restrain . The overflowing vigour of a play such as The Conquest of Granada , for example , partly manifests itself in the profusion of ...
المحتوى
Chapter One INTRODUCTION | 1 |
Influence of Theatrical Conditions on the Drama | 58 |
Tragicomedy | 77 |
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Dramatic Theory and the Rhymed Heroic Play <span dir=ltr>Cecil V. Deane</span> لا تتوفر معاينة - 2007 |
عبارات ومصطلحات مألوفة
Acacis actors Ancients appear argument audience Beaumont and Fletcher blank verse bombast characters chiefly comedy comic admixture Conquest of Granada considered contemporary Corneille Corneille's couplet Crites D'Aubignac D'Avenant D'Avenant's décor simultané Descartes Dramatic Poesy Dryden Duke of Lerma England English criticism English drama English stage epic Essay of Dramatic example favour France French criticism Gonsalvo happy ending Henry the Fifth hero heroic drama heroic play heroic poem Howard incidents Indian Queen influence King latter Le Cid love and honour lovers Massinissa Maximin Mesnardière Montezuma Mustapha nature neo-classic observed opera Orrery Orrery's passage passion period Platonic playwrights plot poet poetic Poetry points preface probably remarks Restoration Rival Ladies romances Roxolana rule Rutland House Saint-Evremond says scenery scenes sentiment serious play setting shows Siege of Rhodes spectacle theatre theory tion tragedy tragic tragicomedy Tyrannick Love unity of action unity of place violent action writing Zempoalla