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THE REVERENCE PAID TO ANCIENT WRITERS, ETC.

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bers was at once discovered to be perfect; but the poems of Homer we yet know not to transcend the common limits of human intelligence, but by remarking, that nation after nation, and century after century, has been able to do little more than transpose his incidents, new-name his characters, and paraphrase his sentiments.

The reverence due to writings that have long subsisted arises therefore not from any credulous confidence in the superior wisdom of past ages, or gloomy persuasion of the degeneracy of mankind, but is the consequence of acknowledged and indubitable positions, that what has been longest known has been most considered, and what is most considered is best understood.

Shakspere may now begin to assume the dignity of an ancient, and claim the privilege of established fame and prescriptive veneration. He has long outlived his century, the term commonly fixed as the test of literary merit. Whatever advantages he might once derive from personal allusions, local customs, or temporary opinions, have for many years been lost; and every topic of merriment or motive of sorrow which the modes of artificial life afforded him, now only obscure the scenes which they once illuminated. The effects of favour and competition are at an end; the tradition of his friendships and his enmities has perished; his works support no opinion with arguments, nor supply any faction with invectives; they can neither indulge vanity nor gratify malignity, but are read without any other reason than the desire of pleasure, and are therefore praised only as pleasure is obtained; yet, thus unassisted by interest or passion, they have passed through variations of taste and changes of manners, and, as they devolved from one generation to another, have received new honours at every transmission.

Shakspere is above all writers, at least above all modern writers, the poet of nature,-the poet that holds up to his readers a faithful mirror of manners and of life. His characters are not modified by the customs of particular places, unpractised by the rest of the world; by the peculiarities of studies or professions, which can operate but upon small numbers; or by the accidents of transient fashions or temporary opinions: they are the genuine progeny of common humanity, such as the world will always supply, and observation will always find. His persons act and speak by the influence of those general passions and principles by which all minds are agitated, and the whole system of life is continued in motion. In the writings of other poets a character is too often an individual; in those of Shakspere it is commonly a species.

It is from this wide extension of design that so much instruction is derived. It is this which fills the plays of Shakspere with practical axioms and domestic wisdom. It was said of Euripides, that every verse was a precept; and it may be said of Shakspere, that from his works may be collected a system of civil and economical prudence; yet his real power is not shown in the splendour of particular passages, but by the progress of his fable, and the tenor of his dialogue; and he that tries to recommend him by select quota

tions, will succeed like the pedant in Hierocles, who, when he offered his house to sale, carried a brick in his pocket as a specimen.

It will not easily be imagined how much Shakspere excels in accommodating his sentiments to real life, but by comparing him with other authors. It was observed of the ancient schools of declamation, that the more diligently they were frequented, the more was the student disqualified for the world, because he found nothing there which he should ever meet in any other place. The same remark may be applied to every stage but that of Shakspere. The theatre, when it is under any other direction, is peopled by such characters as were never seen, conversing in a language which was never heard, upon topics which will never arise in the commerce of mankind. But the dialogue of this author is often so evidently determined by the incident which produces it, and is pursued with so much ease and simplicity, that it seems scarcely to claim the merit of fiction, but to have been gleaned by diligent selection out of common conversation and common occurrences.

This, therefore, is the praise of Shakspere, that his drama is the mirror of life; that he who has mazed his imagination in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstasies, by reading human sentiments in human language; by scenes by which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions.

5. COMPARISON OF DRYDEN AND POPE.'-("LIVES OF THE POETS.")

Integrity of understanding and nicety of discernment were not allotted in a less proportion to Dryden than to Pope. The rectitude of Dryden's mind was sufficiently shown by the dismission of his poetical prejudices, and the rejection of unnatural thoughts and rugged numbers. But Dryden never desired to apply all the judgment that he had. He wrote, and professed to write, merely for the people; and when he pleased others, he contented himself. He spent no time in struggles to rouse latent powers; he never attempted to make that better which was already good, nor often to mend what he must have known to be faulty. He wrote, as he tells us, with very little consideration; when occasion or necessity called upon him, he poured out what the present moment happened to supply, and when once it had passed the press, ejected it from his mind; for when he had no pecuniary interest, he had no further solicitude. Pope was not content to satisfy, he desired to excel, and therefore always endeavoured to do his best; he did not court the candour, but dared the judgment of his reader, and expecting no indulgence from others, he showed none to himself. He examined lines and words with minute and punctilious observation, and re

1 This is a specimen of Johnson's last and best style: the reader will detect in it the model which, with some modifications, has been followed by Macaulay

COMPARISON OF DRYDEN AND POPE.

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touched every part with indefatigable diligence, till he had left nothing to be forgiven. For this reason he kept his pieces very long in his hands, while he considered and reconsidered them.

His declaration that his care for his works ceased at their publication was not strictly true. His parental attention never abandoned them; what he found amiss in the first edition, he silently corrected in those that followed. He appears to have revised the "Iliad," and frced it from some of its imperfections; and the "Essay on Criticism" received many improvements after its first appearance. It will seldom be found that he altered without adding clearness, elegance, or vigour. Pope had perhaps the judgment of Dryden, but Dryden certainly wanted the diligence of Pope.

In acquired knowledge, the superiority must be allowed to Dryden, whose education was more scholastic, and who, before he became an author, had been allowed more time for study, with better means of information. His mind has a larger range, and he collects his images and illustrations from a more extensive circumference of science. Dryden knew more of man in his general nature, and Pope in his local manners. The notions of Dryden were formed by comprehensive speculation; those of Pope by minute attention. There is more dignity in the knowledge of Dryden, and more certainty in that of Pope.

Poetry was not the sole praise of either, for both excelled likewise in prose; but Pope did not borrow his prose from his predecessor. The style of Dryden is capricious and varied; that of Pope is cautious and uniform. Dryden obeys the motions of his own mind; Pope constrains his mind to his own rules of composition. Dryden is sometimes vehement and rapid; Pope is always smooth, uniform, and gentle. Dryden's page is a natural field, rising into inequalities, and diversified by the varied exuberance of abundant vegetation; Pope's is a velvet lawn, shaven by the scythe, and levelled by the roller.

Of genius-that power which constitutes a poet; that quality without which judgment is cold, and knowledge is inert; that energy which collects, combines, amplifies, and animates-the superiority must, with some hesitation, be allowed to Dryden. It is not to be inferred that of this poetical vigour Pope had only a little, because Dryden had more; for every other writer since Milton must give place to Pope; and even of Dryden it must be said, that if he has brighter paragraphs, he has not better poems. Dryden's performances were always hasty, either excited by some external occasion, or extorted by domestic necessity; he composed without consideration, and published without correction. What his mind could supply at call, or gather in one excursion, was all that he sought, and all that he gave. The dilatory caution of Pope enabled him to condense his sentiments, to multiply his images, and to accumulate all that study might produce, or chance might supply. If the flights of Dryden, therefore, are higher, Pope continues longer on the wing. If of Dryden's fire the blaze is brighter, of Pope's the heat is more

regular and constant. Dryden often surpasses expectation, and Pope never falls below it. Dryden is read with frequent astonishment, and Pope with perpetual delight.

6. THE INEQUALITY OF MANKIND.'-(BOSWELL'S "LIFE OF JOHNSON.") Rousseau's treatise on the inequality of mankind was, at this time, a fashionable topic. It gave rise to an observation by Mr Dempster, that the advantages of fortune and rank were nothing to a wise man, who sought to value only merit. Johnson replied, if man were a savage, living in the woods by himself, this might be true; but in civilized society we all depend upon each other, and our happiness is very much owing to the good opinion of mankind. Now, sir, in civilized society, external advantages make us more respected. A man with a good coat upon his back meets with a better reception than he who has a bad one. Sir, you may analyze this, and say what is there in it? But that will avail you nothing; for it is part of a general system. Pound St Paul's Church into atoms, and consider any single atom; it is, to be sure, good for nothing; but put all these atoms together, and you have St Paul's Church. So it is with human felicity, which is made up of many ingredients, each of which may be shown to be very insignificant. In civilized society personal merit will not serve you so much as money will. Sir, you may make the experiment. Go into the street, and give one man a lecture on morality, and another a shilling, and see which will respect you most. If you wish only to support nature, Sir William Petty2 fixes your allowance at three pounds a-year; but as times are much altered, let us call it six pounds. This sum will fill your belly, shelter you from the weather, and even get you a strong, lasting coat, supposing it to be made of good bull's hide. Now, sir, all beyond this is artificial, and is desired in order to obtain a greater degree of respect from our fellowcreatures. And, sir, if six hundred pounds a year procure a man more consequence, and, of course, more happiness than six pounds a-year, the same proportion will hold as to six thousand, and so on, as far as opulence can be carried. Perhaps he who has a large fortune may not be so happy as he who has a small one; but that must proceed from other causes than from his having the large fortune; for, other things being equal, he who is rich in a civilized society must be happier than he that is poor; as riches, if properly used (and it is a man's own fault if they are not), must be productive of the highest advantages. Money, to be sure, of itself is of no use; for its only use is to part with it. Rousseau, and all those who deal in paradoxes, are led away by a childish desire of novelty. When I was a boy I used always to choose the wrong side of a debate, because most ingenious things-that is to say, most new

1 This is given as a specimen of Johnson's powers in conversation, the element in which his abilities were most conspicuously shown.

2 A famous political economist, ancestor of the Lansdowne family.

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things-could be said upon it. Sir, there is nothing for which you may not muster up more plausible arguments than those which are urged against wealth and other external advantages. Why, now, there is stealing,—why should it be thought a crime? When we consider by what unjust methods property has been often acquired, and that what was unjustly get it must be unjust to keep, where is the harm in one man's taking the property of another from him? Besides, sir, when we consider the bad use that many people make of their property, and how much better use the thief may make of it, it may be defended as a very allowable practice. Yet, sir, the experience of mankind has discovered stealing to be so very bad a thing, that they make no scruple to hang a man for it. When I was running about this town a very poor fellow, I was a great arguer for the advantages of poverty; but I was at the same time very sorry to be poor. Sir, all the arguments which are brought to represent poverty as no evil, show it to be evidently a great evil. You never find people labouring to convince you that you may live very happily on a plentiful fortune. So you hear people talking how miserable a king must be, and yet they all wish to be in his place. Mr Dempster having endeavoured to maintain that intrinsic merit ought to make the only distinction among mankind, Johnson said, "Why, sir, mankind have found that this cannot be. How shall we determine the proportion of intrinsic merit? Were that to be the only distinction amongst mankind, we should soon quarrel about the degrees of it. Were all distinctions abolished, the strongest would not long acquiesce, but would endeavour to obtain superiority by their bodily strength. But, sir, as subordination is very necessary for society, and contentions for superiority very dangerous, mankind-that is to say, all civilized nations have settled it upon a plain, invariable principle. A man is born to hereditary rank, or his being appointed to certain offices gives him a certain rank. Subordination tends greatly to human happiness. Were we all upon an equality, we should have no other enjoyment than mere animal pleasure.

XVI. DR ROBERTSON.

DR ROBERTSON was born at Borthwick, near Edinburgh, in 1721. His father was the clergyman of the parish, and the son, after being educated at the University of Edinburgh for the clerical profession, became the pastor of a small rural district in East Lothian. In 1758 he removed to Edinburgh, and the next year he published his “History of Scotland," which was at once received with unusual favour by the public, and procured for its author substantial and well-merited rewards. He was appointed one of his Majesty's chaplains in Scotland, and Principal of the University of Edinburgh, and the office of Historiographer Royal for Scotland was revived in his favour. Still continuing his historical studies, he, in 1769, issued his "History of

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