Jane Austen's EmmaSydney University Press, 1968 - 132 من الصفحات A novel about youthful hubris and romantic misunderstandings. It is set in the fictional country village of Highbury and the surrounding estates of Hartfield, Randalls and Donwell Abbey, and involves the relationships among people from a small number of families. |
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النتائج 1-3 من 87
الصفحة 48
... Emma herself , the vain imaginist can rise quite unsolicited to a sympathetic gesture . When Elton snubs Mrs Weston by refusing to dance with Harriet , " Emma could imagine with what surprise and mortification she must be returning to ...
... Emma herself , the vain imaginist can rise quite unsolicited to a sympathetic gesture . When Elton snubs Mrs Weston by refusing to dance with Harriet , " Emma could imagine with what surprise and mortification she must be returning to ...
الصفحة 70
... Emma and Jane Fairfax had become close friends . The most striking thing about Emma's feeling of dislike is that it has less to do with Jane Fairfax herself than with the influence of others . After their first meeting of Jane Fairfax's ...
... Emma and Jane Fairfax had become close friends . The most striking thing about Emma's feeling of dislike is that it has less to do with Jane Fairfax herself than with the influence of others . After their first meeting of Jane Fairfax's ...
الصفحة 127
... Emma . Even a passing sally can cut deep into the novel , as when Emma urges Mr Knightley to ask William Larkins ' consent before removing to Hartfield or as when she foresees her father's reception of their news : " I wish I may not ...
... Emma . Even a passing sally can cut deep into the novel , as when Emma urges Mr Knightley to ask William Larkins ' consent before removing to Hartfield or as when she foresees her father's reception of their news : " I wish I may not ...
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accept admits advantage affection allowed amiable appears asks attention become begins believe called certainly chapter character Churchill's comes concern conversation course critics difference discover doubt elegance Elton Emma Emma's evidence example expresses fact fancy father feelings Frank Churchill further given gives goes growing happiness Harriet Hartfield Highbury hope idea ignorance imagination implied influence interest Jane Austen Jane Fairfax John Knightley Knightley's later lead least less letter London look manner marriage marry Martin matter means mind Miss Bates motives narrator natural never novel occasion once opinion particular passage passed perhaps person phrase pleasure present question rational reason reflection regard remains remarks requires Robert seems seen sense sensible shows soon speak stand suggest suppose talk tells thing thought truth turn understand Weston whole wish woman Woodhouse young