Jane Austen's EmmaSydney University Press, 1968 - 132 من الصفحات A novel about youthful hubris and romantic misunderstandings. It is set in the fictional country village of Highbury and the surrounding estates of Hartfield, Randalls and Donwell Abbey, and involves the relationships among people from a small number of families. |
من داخل الكتاب
النتائج 1-3 من 11
الصفحة 23
... rational reveals much more than he knows . Why must he openly qualify his appreciation of Emma's beauty by confessing to being " a partial old friend " " ( 39 ) ? Why those strenuous efforts to remain reasonable and not blind in his ...
... rational reveals much more than he knows . Why must he openly qualify his appreciation of Emma's beauty by confessing to being " a partial old friend " " ( 39 ) ? Why those strenuous efforts to remain reasonable and not blind in his ...
الصفحة 42
... rational " , which occurs quite as commonly and which is almost always used in a serious sense.16 Essentially it is Mr Knightley's word . He uses it almost as often as Emma even though he has much less to say . And when Emma does use ...
... rational " , which occurs quite as commonly and which is almost always used in a serious sense.16 Essentially it is Mr Knightley's word . He uses it almost as often as Emma even though he has much less to say . And when Emma does use ...
الصفحة 43
... rational intercourse " ( 165 ) , or even " the rational pleasures of an elegant society " ( 164 ) , pleasures among which " quiet rational conversation " ( 390 ) ranks high and in which , unfortunately , Mr Woodhouse can- not join ( 7 ) ...
... rational intercourse " ( 165 ) , or even " the rational pleasures of an elegant society " ( 164 ) , pleasures among which " quiet rational conversation " ( 390 ) ranks high and in which , unfortunately , Mr Woodhouse can- not join ( 7 ) ...
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
accept admits advantage affection allowed amiable appears asks attention become begins believe called certainly chapter character Churchill's comes concern conversation course critics difference discover doubt elegance Elton Emma Emma's evidence example expresses fact fancy father feelings Frank Churchill further given gives goes growing happiness Harriet Hartfield Highbury hope idea ignorance imagination implied influence interest Jane Austen Jane Fairfax John Knightley Knightley's later lead least less letter London look manner marriage marry Martin matter means mind Miss Bates motives narrator natural never novel occasion once opinion particular passage passed perhaps person phrase pleasure present question rational reason reflection regard remains remarks requires Robert seems seen sense sensible shows soon speak stand suggest suppose talk tells thing thought truth turn understand Weston whole wish woman Woodhouse young