Jane Austen's EmmaSydney University Press, 1968 - 132 من الصفحات A novel about youthful hubris and romantic misunderstandings. It is set in the fictional country village of Highbury and the surrounding estates of Hartfield, Randalls and Donwell Abbey, and involves the relationships among people from a small number of families. |
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الصفحة 19
... reflection that he does not share our access to Emma's mind but must address himself to what she says and does . He is perhaps as bewildered by the freaks of her fancy as she is irritated by his reduction of complex emotions to tangible ...
... reflection that he does not share our access to Emma's mind but must address himself to what she says and does . He is perhaps as bewildered by the freaks of her fancy as she is irritated by his reduction of complex emotions to tangible ...
الصفحة 78
... reflection that love alone can " occupy the many vacancies of Harriet's mind ” ( 183 ) . When Harriet's tale of her encounter with the Martins goes on and on , Emma , fearing a serious revival of interest , uses Elton as a corrective by ...
... reflection that love alone can " occupy the many vacancies of Harriet's mind ” ( 183 ) . When Harriet's tale of her encounter with the Martins goes on and on , Emma , fearing a serious revival of interest , uses Elton as a corrective by ...
الصفحة 107
... reflection show Mr Knightley at his best . On the one hand , as always , he knows his duty and abides by it . The broken rhythms , the doubts and irresolutions , of the first passage are only as to the means he might employ : and they ...
... reflection show Mr Knightley at his best . On the one hand , as always , he knows his duty and abides by it . The broken rhythms , the doubts and irresolutions , of the first passage are only as to the means he might employ : and they ...
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accept admits advantage affection allowed amiable appears asks attention become begins believe called certainly chapter character Churchill's comes concern conversation course critics difference discover doubt elegance Elton Emma Emma's evidence example expresses fact fancy father feelings Frank Churchill further given gives goes growing happiness Harriet Hartfield Highbury hope idea ignorance imagination implied influence interest Jane Austen Jane Fairfax John Knightley Knightley's later lead least less letter London look manner marriage marry Martin matter means mind Miss Bates motives narrator natural never novel occasion once opinion particular passage passed perhaps person phrase pleasure present question rational reason reflection regard remains remarks requires Robert seems seen sense sensible shows soon speak stand suggest suppose talk tells thing thought truth turn understand Weston whole wish woman Woodhouse young