Jane Austen's EmmaSydney University Press, 1968 - 132 من الصفحات A novel about youthful hubris and romantic misunderstandings. It is set in the fictional country village of Highbury and the surrounding estates of Hartfield, Randalls and Donwell Abbey, and involves the relationships among people from a small number of families. |
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الصفحة 43
... requires in the early part of the novel ; but , as her esteem for her imaginative powers dwindles , she uses it freely - and uses it , above all , in self - recrimination . She looks back on the morning at Box Hill as " more totally ...
... requires in the early part of the novel ; but , as her esteem for her imaginative powers dwindles , she uses it freely - and uses it , above all , in self - recrimination . She looks back on the morning at Box Hill as " more totally ...
الصفحة 48
... requires the support of affection and those others where imagination ( but not fancy ) leads Emma and Mr Knightley to insights not otherwise attainable . For Johnson , I believe , reason is a beleaguered garrison , assailed on all sides ...
... requires the support of affection and those others where imagination ( but not fancy ) leads Emma and Mr Knightley to insights not otherwise attainable . For Johnson , I believe , reason is a beleaguered garrison , assailed on all sides ...
الصفحة 74
... requires that literary works each shed a radiant and individual light upon some aspect of our species and the world about us , there can be few who would cavil at it . Yet every great work establishes its unique necessities : and the ...
... requires that literary works each shed a radiant and individual light upon some aspect of our species and the world about us , there can be few who would cavil at it . Yet every great work establishes its unique necessities : and the ...
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accept admits advantage affection allowed amiable appears asks attention become begins believe called certainly chapter character Churchill's comes concern conversation course critics difference discover doubt elegance Elton Emma Emma's evidence example expresses fact fancy father feelings Frank Churchill further given gives goes growing happiness Harriet Hartfield Highbury hope idea ignorance imagination implied influence interest Jane Austen Jane Fairfax John Knightley Knightley's later lead least less letter London look manner marriage marry Martin matter means mind Miss Bates motives narrator natural never novel occasion once opinion particular passage passed perhaps person phrase pleasure present question rational reason reflection regard remains remarks requires Robert seems seen sense sensible shows soon speak stand suggest suppose talk tells thing thought truth turn understand Weston whole wish woman Woodhouse young