Makers of Literary Criticism, المجلد 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 من الصفحات |
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الصفحة 30
... action , and the supreme good itself , the very end of life , is action of a certain kind — not quality . Now the manners of men constitute only their quality or characters ; but it is by their actions that they are happy , or the ...
... action , and the supreme good itself , the very end of life , is action of a certain kind — not quality . Now the manners of men constitute only their quality or characters ; but it is by their actions that they are happy , or the ...
الصفحة 169
... action is aimed at by the poet , which answers place in a building ; and that action has his largeness , compass , and proportion . But , as a court , or king's palace , requires other dimensions than a private house : so the epic asks ...
... action is aimed at by the poet , which answers place in a building ; and that action has his largeness , compass , and proportion . But , as a court , or king's palace , requires other dimensions than a private house : so the epic asks ...
الصفحة 186
... action , says Corneille , that is , one complete action , which leaves the mind of the audience in a full repose ; but this cannot be brought to pass but by many other imperfect actions , which conduce to it , and hold the audience in a ...
... action , says Corneille , that is , one complete action , which leaves the mind of the audience in a full repose ; but this cannot be brought to pass but by many other imperfect actions , which conduce to it , and hold the audience in a ...
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action admiration Æneid Aeschylus ancient appears argument Aristotle audience beauty Ben Jonson better blank verse called censure character Chaucer Cicero comedy criticism delight Demosthenes diction diligence discourse drama Dryden elegant English epic epic poetry Euripides evil example excellent express eyes fable faults favour French genius give Glaucon Greek Herodotus Homer honour Horace human images imagination imitation invention John Dryden judge judgement kind King knowledge labour language learning Lisideius live manners mean Milton mind nature never observed opinion Ovid Paradise Lost passage passions perhaps persons philosopher Plato Plautus play pleasure plot poem poesy poet poetical poetry praise reader reason rhyme ridiculous scenes seems sense sentiments Shakespeare sometimes Sophocles soul speak speech stage style sublimity suppose things thought tion tragedy translated true truth verse Virgil virtue whole words write written Xenophon