Makers of Literary Criticism, المجلد 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 من الصفحات |
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الصفحة 31
... beginning , a middle , and an end . A beginning is that which does not necessarily suppose anything before it , but which requires something to follow it . An end , on the contrary , is that which supposes something to precede it ...
... beginning , a middle , and an end . A beginning is that which does not necessarily suppose anything before it , but which requires something to follow it . An end , on the contrary , is that which supposes something to precede it ...
الصفحة 156
... beginning and end , than in the midst ; and in the end more , than in the beginning ; for through the midst the stream bears us . And this is attained by custom more than care or diligence . We must express readily , and fully , not ...
... beginning and end , than in the midst ; and in the end more , than in the beginning ; for through the midst the stream bears us . And this is attained by custom more than care or diligence . We must express readily , and fully , not ...
الصفحة 324
... beginning of the poems . Of a book written in a language not understood , the beginning raises no more attention than the end ; and , as those that understand it know commonly the beginning best , its rehearsal will seldom be necessary ...
... beginning of the poems . Of a book written in a language not understood , the beginning raises no more attention than the end ; and , as those that understand it know commonly the beginning best , its rehearsal will seldom be necessary ...
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action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written