Makers of Literary Criticism, المجلد 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 من الصفحات |
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الصفحة 113
... example ; but both , not having both , do both halt . For the philosopher , setting down with thorny argument the bare rule , is so hard of utterance and so misty to be conceived , that one that has no other guide but him shall wade in ...
... example ; but both , not having both , do both halt . For the philosopher , setting down with thorny argument the bare rule , is so hard of utterance and so misty to be conceived , that one that has no other guide but him shall wade in ...
الصفحة 116
... example has as much force to teach as a true example ( for as for to move , it is clear , since the feigned may be tuned to the highest key of passion ) , let us take one example wherein a poet and a historian do concur . Herodotus and ...
... example has as much force to teach as a true example ( for as for to move , it is clear , since the feigned may be tuned to the highest key of passion ) , let us take one example wherein a poet and a historian do concur . Herodotus and ...
الصفحة 133
... examples justified , and at this day the ordinary players in Italy will not err in . Yet will some bring in an example of Eunuchus in Terence , that contains matter of two days , yet far short of twenty years . True it is , and so was ...
... examples justified , and at this day the ordinary players in Italy will not err in . Yet will some bring in an example of Eunuchus in Terence , that contains matter of two days , yet far short of twenty years . True it is , and so was ...
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action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written