Makers of Literary Criticism, المجلد 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 من الصفحات |
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الصفحة 30
... fable . Because tragedy is an imitation , not of men , but of actions — of life , of happiness and unhappiness ; for happiness consists in action , and the supreme good itself , the very end of life , is action of a certain kind — not ...
... fable . Because tragedy is an imitation , not of men , but of actions — of life , of happiness and unhappiness ; for happiness consists in action , and the supreme good itself , the very end of life , is action of a certain kind — not ...
الصفحة 31
... fable should be constructed ; since this is the most important part of tragedy . Now we have defined tragedy to be an imitation of an action that is com- plete and entire ; and that has also a certain magnitude ; for a thing may be ...
... fable should be constructed ; since this is the most important part of tragedy . Now we have defined tragedy to be an imitation of an action that is com- plete and entire ; and that has also a certain magnitude ; for a thing may be ...
الصفحة 38
... fable should arise out of the fable itself , and not depend upon machinery as in the Medea , or in the incidents relative to the return of the Greeks in the Iliad . The proper application of machinery is to such circum- stances as are ...
... fable should arise out of the fable itself , and not depend upon machinery as in the Medea , or in the incidents relative to the return of the Greeks in the Iliad . The proper application of machinery is to such circum- stances as are ...
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action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written