Makers of Literary Criticism, المجلد 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 من الصفحات |
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الصفحة 25
... imitation in every kind of metre promiscuously , as Chaeremon has done in his Centaur , which is a medley of all sorts of verse , it would not immediately follow that , on that account merely , he was entitled to the name of poet . But ...
... imitation in every kind of metre promiscuously , as Chaeremon has done in his Centaur , which is a medley of all sorts of verse , it would not immediately follow that , on that account merely , he was entitled to the name of poet . But ...
الصفحة 29
... imitation . By diction I mean the metrical composition . The meaning of melopoeia is obvious to everyone . Again , tragedy being an imitation of an action , and the persons employed in that action being necessarily characterized by ...
... imitation . By diction I mean the metrical composition . The meaning of melopoeia is obvious to everyone . Again , tragedy being an imitation of an action , and the persons employed in that action being necessarily characterized by ...
الصفحة 55
... imitation , when entire , is to the epic . The latter , then , it is urged , addresses itself to hearers of the better sort , to whom the addition of gesture is superfluous , but tragedy is for the people ; and being , therefore , the ...
... imitation , when entire , is to the epic . The latter , then , it is urged , addresses itself to hearers of the better sort , to whom the addition of gesture is superfluous , but tragedy is for the people ; and being , therefore , the ...
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action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written