Makers of Literary Criticism, المجلد 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 من الصفحات |
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الصفحة 61
... less than those who , having the opportunity to acquire them , through greatness of soul neglect it . Now let us apply this principle to the Sublime in poetry or in prose ; let us ask in all cases , is it merely a specious sublimity ...
... less than those who , having the opportunity to acquire them , through greatness of soul neglect it . Now let us apply this principle to the Sublime in poetry or in prose ; let us ask in all cases , is it merely a specious sublimity ...
الصفحة 158
... less blood , but less flesh , and corpulence . These are bony , and sinewy : Ossa habent , et nervos . It was well noted by the late L. St. Alban , that the study of words is the first distemper of learning : vain matter the second ...
... less blood , but less flesh , and corpulence . These are bony , and sinewy : Ossa habent , et nervos . It was well noted by the late L. St. Alban , that the study of words is the first distemper of learning : vain matter the second ...
الصفحة 365
... less cogent by men less famed for liberality . Yet Dryden always represented himself as suffering under a public infliction ; and once particularly demands respect for the patience with which he endured the loss of his little fortune ...
... less cogent by men less famed for liberality . Yet Dryden always represented himself as suffering under a public infliction ; and once particularly demands respect for the patience with which he endured the loss of his little fortune ...
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action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written