Makers of Literary Criticism, المجلد 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 من الصفحات |
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الصفحة 25
... objects of imitation are the actions of men , and these men must of necessity be either good or bad ( for on this does character principally depend ... object , and by the same means may do it either in narration — ARISTOTLE : POETICS 25.
... objects of imitation are the actions of men , and these men must of necessity be either good or bad ( for on this does character principally depend ... object , and by the same means may do it either in narration — ARISTOTLE : POETICS 25.
الصفحة 26
... object , and the man- ner ; so that Sophocles is , in one respect , an imitator of the same kind with Homer , as ... object is ; that this , for instance , is such a particular man , etc. For if we suppose the object represented to be ...
... object , and the man- ner ; so that Sophocles is , in one respect , an imitator of the same kind with Homer , as ... object is ; that this , for instance , is such a particular man , etc. For if we suppose the object represented to be ...
الصفحة 68
... object to excite pity , or to depreciate an opponent's argument . In all other uses of amplification , if you subtract the element of sublimity you will take as it were the soul from the body . No sooner is the support of sublimity ...
... object to excite pity , or to depreciate an opponent's argument . In all other uses of amplification , if you subtract the element of sublimity you will take as it were the soul from the body . No sooner is the support of sublimity ...
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action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written