Makers of Literary Criticism, المجلد 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 من الصفحات |
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الصفحة 61
... style related to sublimity . VI Our best hope of doing this will be first of all to grasp some definite theory and criterion of the true Sublime . Nevertheless this is a hard matter ; for a just judgement of style is the final fruit of ...
... style related to sublimity . VI Our best hope of doing this will be first of all to grasp some definite theory and criterion of the true Sublime . Nevertheless this is a hard matter ; for a just judgement of style is the final fruit of ...
الصفحة 152
... style . In style to consider , what ought to be written ; and after what manner ; he must first think , and excogitate his matter ; then choose his words , and examine the weight of either . Then take care in placing , and ranking both ...
... style . In style to consider , what ought to be written ; and after what manner ; he must first think , and excogitate his matter ; then choose his words , and examine the weight of either . Then take care in placing , and ranking both ...
الصفحة 156
Balachandra Rajan, Arapura Ghevarghese George. virtue of a style is perspicuity , and nothing so vicious in it , as to need an interpreter . Words borrowed of antiquity , do lend a kind of majesty to style , and are not without their ...
Balachandra Rajan, Arapura Ghevarghese George. virtue of a style is perspicuity , and nothing so vicious in it , as to need an interpreter . Words borrowed of antiquity , do lend a kind of majesty to style , and are not without their ...
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action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written