Makers of Literary Criticism, المجلد 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 من الصفحات |
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... ( Translated by B. Jowett ) ARISTOTLE Poetics ( Translated by Thomas Twining ) 1 24 LONGINUS ON The Sublime ( Translated by T. A. Moxon ) 57 HORACE The Art of Poetry ( Translated by Henry Blakeney ) 96 SIR PHILIP SIDNEY Defence of Poesy ...
... ( Translated by B. Jowett ) ARISTOTLE Poetics ( Translated by Thomas Twining ) 1 24 LONGINUS ON The Sublime ( Translated by T. A. Moxon ) 57 HORACE The Art of Poetry ( Translated by Henry Blakeney ) 96 SIR PHILIP SIDNEY Defence of Poesy ...
الصفحة 276
... translated were inaccessible . Whether he knew the modern languages is uncertain . That his plays have some French scenes proves but little ; he might easily procure them to be written , and probably , even though he had known the ...
... translated were inaccessible . Whether he knew the modern languages is uncertain . That his plays have some French scenes proves but little ; he might easily procure them to be written , and probably , even though he had known the ...
الصفحة 360
... translated the first book ; and , if Gordon be credited , translated it from the French . Such a charge can hardly be mentioned without some degree of indignation ; but it is not , I suppose , so much to be inferred that Dryden wanted ...
... translated the first book ; and , if Gordon be credited , translated it from the French . Such a charge can hardly be mentioned without some degree of indignation ; but it is not , I suppose , so much to be inferred that Dryden wanted ...
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action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written