Makers of Literary Criticism, المجلد 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 من الصفحات |
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الصفحة 31
... whole too instantaneously to distinguish and compare the parts . Neither , on the contrary , can one of a prodigious size be beautiful ; because , as all its parts cannot be seen at once , the whole , the unity of object , is lost to ...
... whole too instantaneously to distinguish and compare the parts . Neither , on the contrary , can one of a prodigious size be beautiful ; because , as all its parts cannot be seen at once , the whole , the unity of object , is lost to ...
الصفحة 169
... whole ; of which there is a proportionable magnitude in the members . As for example ; if a man would build a house ... whole . Whole , we call that , and perfect , which has a beginning , a midst , and an end . So the place of any ...
... whole ; of which there is a proportionable magnitude in the members . As for example ; if a man would build a house ... whole . Whole , we call that , and perfect , which has a beginning , a midst , and an end . So the place of any ...
الصفحة 171
... whole , entire , and absolute . For the whole , as it consists of parts ; so without all the parts it is not the whole ; and to make it absolute , is required , not only the parts , but such parts as are true . For a part of the whole ...
... whole , entire , and absolute . For the whole , as it consists of parts ; so without all the parts it is not the whole ; and to make it absolute , is required , not only the parts , but such parts as are true . For a part of the whole ...
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action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written