Literature and the New Interdisciplinarity: Poetics, Linguistics, History
In recent years there has been an increasing realization that language and literature are, so to speak, socioculturally consubstantial. Accordingly literary scholars and linguists now often define their interests in sociohistorical terms, and the 'lang.-lit.' divide is giving way to shared concerns which are interdisciplinary between the three poles: poetics, linguistics, society. To illustrate and consolidate this new interdisciplinarity, the editors of this volume have collected a number of articles specially written by an international team of scholars, including figures of the highest international distinction. Key interdisciplinary terms such as contextualization, addressivity, and convention are subjected to critical scrutiny and applied to particular texts. Some of the most widely canvassed theories of communication and literature, particularly Sperber and Wilson's relevance theory and Bakhtin's sociolinguistic poetics, are carefully assessed and extended to new areas. And there are contextualizing approaches to phenomena such as genre, historical genre modulation, irony, metaphor, Modernist impersonality, unreliable narration, informal style, and literary gossip.
The book's argument is carefully structured. An extensive introduction outlines the general background of ideas and the thirteen articles are grouped into four main sections, linked together by a clear line of questioning and discussion which is made explicit in sectional introductions.
The book is addressed to established scholars, postgraduate students, and advanced undergraduates who are interested in linguistics, literary theory, literary criticism, and sociocultural history and searching for ways of bringing these branches of learning into synergetic relation with each other.
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
Bakhtin addressivity and the poetics of objectivity
a dialogue between Russian
Light in August and the issue of unreliability
Literary gossip literary theory literary pragmatics
طبعات أخرى - عرض جميع المقتطفات
activity actually almanac analysis appear approach argue aspects associated assumptions Bakhtin become called Cambridge century Characters claim communication concept context conventions course critical cultural definition described discourse discussion distinction Editions effects emotions English English Studies example existence experience explain expressed fact function genre given gives gossip historical human idea important individual instance interest interpretation involves irony kind knowledge language less letters linguistic literary pragmatics literary texts literature London Marxism meaning metaphor mind nature never Oxford particular perhaps person perspective poem poetic poetry possible pragmatics present principle problems provides question range readers reading reference relation relevance scholars seems selections sense situation social society speaker speech Sperber structure style stylistics suggest theory things thought tradition types understanding University Press utterance voice Wilson writing
الصفحة 203 - Now, what I want is, Facts. Teach these boys and girls nothing but Facts. Facts alone are wanted in life. Plant nothing else, and root out everything else. You can only form the minds of reasoning animals upon Facts : nothing else will ever be of any service to them. This is the principle on which I bring up my own children, and this is the principle on which I bring up these children. Stick to Facts, sir...
الصفحة 81 - No, Sir, when a man is tired of London, he is tired of life ; for there is in London all that life can afford.
الصفحة 221 - We can only say that it appears likely that poets in our civilization, as it exists at present, must be difficult. Our civilization comprehends great variety and complexity, and this variety and complexity, playing upon a refined sensibility, must produce various and 275 complex results. The poet must become more and more comprehensive, more allusive, more indirect, in order to force, to dislocate if necessary, language into his meaning.
الصفحة 97 - The cold smell of potato mould, the squelch and slap Of soggy peat, the curt cuts of an edge Through living roots awaken in my head. But I've no spade to follow men like them. Between my finger and my thumb The squat pen rests. I'll dig with it.
الصفحة 84 - It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.
الصفحة 116 - For them no more the blazing hearth shall burn, Or busy housewife ply her evening care : No children run to lisp their sire's return, Or climb his knees the envied kiss to share.
الصفحة 217 - It may partly or exclusively operate upon the experience of the man himself; but, the more perfect the artist, the more completely separate in him will be the man who suffers and the mind which creates; the more perfectly will the mind digest and transmute the passions which are its material.
الصفحة 89 - The poetic function projects the principle of equivalence from the axis of selection into the axis of combination.
الصفحة 12 - ... the historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of the literature of Europe from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order.
الصفحة 221 - When a poet's mind is perfectly equipped for its work, it is constantly amalgamating disparate experiences ; the ordinary man's experience is chaotic, irregular, fragmentary. The latter falls in love, or reads Spinoza, and these two experiences have nothing to do with each other...