vulgar dialect or clownish pronunciation. You must steer a middle course. You are tied down to a given and appropriate articulation, which is determined by the habitual associations between sense and sound, and which you can only hit by entering into the author's meaning, as you must find the proper words and style to express yourself by fixing your thoughts on the subject you have to write about. Any one may mouth out a passage with a theatrical cadence, or get upon stilts to tell his thoughts: but to write or speak with propriety and simplicity is a more difficult task. Thus it is easy to affect a pompous style, to use a word twice as big as the thing you want to express it is not so easy to pitch upon the very word that exactly fits it. Out of eight or ten words equally common, equally intelligible, with nearly equal pretensions, it is a matter of some nicety and discrimination to pick out the very one, the preferableness of which is scarcely perceptible, but decisive. The reason why I object to Dr. Johnson's style is that there is no discrimination, no selection, no variety in it. He uses none but "tall, opaque words," taken from the "first row of the rubric," words with the greatest number of syllables, or Latin phrases with merely English terminations. If a fine style depended on this sort of arbitrary pretension, it would be fair to judge of an author's elegance by the measurement of his words, and the substitution of foreign circumlocutions (with no precise associations) for the mother tongue. How simple it is to be dignified without ease, to be pompous without meaning! Surely it is but a mechanical rule for avoiding what is low to be always pedantic and affected. It is clear you cannot use a vulgar English word if you never use a common English word at all. A fine tact is shewn in adhering to those which are perfectly common, and yet never falling into any expressions which are debased by disgusting circumstances, or which owe their signification and point to technical or professional allusions. A truly natural or familiar style can never be quaint or vulgar for this reason, that it is of universal force and applicability, and that quaintness and vulgarity arise out of the immediate connection of certain words with coarse and disagreeable, or

with confined, ideas. The last form what we understand by cant or slang phrases. To give an example of what is not very clear in the general statement, I should say that the phrase To cut with a knife, or To cut a piece of wood, is perfectly free from vulgarity, because it is perfectly common: but to cut an acquaintance is not quite unexceptionable, because it is not perfectly common or intelligible, and has hardly yet escaped out of the limits of slang phraseology. I should hardly therefore use the word in this sense without putting it in italics as a licence of expression, to be received cum grano salis. All provincial or by-phrases come under this same mark of reprobation, - all such as the writer transfers to the page from his fireside or a particular coterie, or that he invents for his own sole use and convenience. I conceive that words are like money, not the worse for being common, but that it is the stamp of custom alone that gives them circulation or value. I am fastidious in this respect, and would almost as soon coin the currency of the realm as counterfeit the King's English.

THE AIM OF A UNIVERSITY EDUCATION1

JOHN HENRY NEWMAN

IF then a practical end must be assigned to a University course, I say it is that of training good members of society. Its art is the art of social life, and its end is fitness for the world. It neither confines its views to particular professions on the one hand, nor creates heroes or inspires genius on the other. Works indeed of genius fall under no art; heroic minds come under no rule; a University is not a birthplace of poets or of immortal authors, of founders of schools, leaders of colonies, or conquerors of nations. It does not promise a generation of Aristotles or Newtons, of Napoleons or Washingtons, of Raphaels or Shakespeares, though such miracles of nature it has before now contained within its precincts. Nor is it content on the

1 From The Idea of a University. Discourse VII.

other hand with forming the critic or the experimentalist, the economist or the engineer, though such too it includes within its scope. But a University training is the great ordinary means to a great but ordinary end; it aims at raising the intellectual tone of society, at cultivating the public mind, at purifying the national taste, at supplying true principles to popular enthusiasm and fixed aims to popular aspiration, at giving enlargement and sobriety to the ideas of the age, at facilitating the exercise of political power, and refining the intercourse of private life. It is the education which gives a man a clear, conscious view of his own opinions and judgments, a truth in developing them, an eloquence in expressing them, and a force in urging them. It teaches him to see things as they are, to go right to the point, to disentangle a skein of thought, to detect what is sophistical, and to discard what is irrelevant. It prepares him to fill any post with credit, and to master any subject with facility. It shows him how to accommodate himself to others, how to throw himself into their state of mind, how to bring before them his own, how to influence them, how to come to an understanding with them, how to bear with them. He is at home in any society, he has common ground with every class; he knows when to speak and when to be silent; he is able to converse, he is able to listen; he can ask a question pertinently, and gain a lesson seasonably, when he has nothing to impart himself; he is ever ready, yet never in the way; he is a pleasant companion, and a comrade you can depend upon; he knows when to be serious and when to trifle, and he has a sure tact which enables him to trifle with gracefulness and to be serious with effect. He has the repose of a mind which lives in itself, while it lives in the world, and which has resources for its happiness at home when it cannot go abroad. He has a gift which serves him in public, and supports him in retirement, without which good fortune is but vulgar, and with which failure and disappointment have a charm. The art which tends to make a man all this, is in the object which it pursues as useful as the art of wealth or the art of health, though it is less susceptible of method, and less tangible, less certain, less complete in its result.

C

I. B. EXPLANATIONS OF MECHANISMS AND

PROCESSES

ON MAKING CAMP1 1

STEWART EDWARD WHITE

To those who tread the Long Trail the making of camp resolves itself into an algebraical formula. After a man has travelled all day through the Northern wilderness he wants to rest, and anything that stands between himself and his repose he must get rid of in as few motions as is consistent with reasonable thoroughness. The end in view is a hot meal and a comfortable dry place to sleep. The straighter he can draw the line to those two points the happier he is.

Early in his woods experience Dick became possessed with the desire to do everything for himself. As this was a laudable striving for self-sufficiency, I called a halt at about three o'clock one afternoon in order to give him plenty of time.

Now Dick is a good, active, able-bodied boy, possessed of average intelligence and rather more than average zeal. He even had theory of a sort, for he had read various Boy Campers, or the Trapper's Guide, How to Camp Out, The Science of Woodcraft, and other able works. He certainly had ideas enough, and confidence enough. I sat down on a log.

At the end of three hours' flustration, heat, worry, and good hard work, he had accomplished the following results: A tent, very saggy, very askew, covered a four-sided area it was not a rectangle of very bumpy ground. A hodge-podge bonfire, in the centre of which an inaccessible coffee-pot toppled menacingly, alternately threatened to ignite the entire surrounding forest or to go out altogether through lack of fuel. Personal

1 From The Forest. Doubleday, Page & Company. Reprinted by permission.

belongings strewed the ground near the fire, and provisions cumbered the entrance to the tent. Dick was anxiously mixing batter for the cakes, attempting to stir a pot of rice often enough to prevent it from burning, and trying to rustle sufficient dry wood to keep the fire going. This diversity of interests. certainly made him sit up and pay attention. At each instant he had to desert his flour sack to rescue the coffee-pot, or to shift the kettle, or to dab hastily at the rice, or to stamp out the small brush, or to pile on more dry twigs. His movements were not graceful. They raised a scurry of dry bark, ashes, wood dust, twigs, leaves, and pine needles, a certain proportion of which found their way into the coffee, the rice, and the sticky batter, while the smaller articles of personal belonging, hastily dumped from the duffle bag, gradually disappeared from view in the manner of Pompeii and ancient Vesuvius. Dick burned his fingers and stumbled about and swore, and looked so comically pathetically red-faced through the smoke that I, seated on the log, at the same time laughed and pitied. And in the end, when he needed a continuous steady fire to fry his cakes, he suddenly discovered that dry twigs do not make coals, and that his previous operations had used up all the fuel within easy circle of the camp.

So he had to drop everything for the purpose of rustling wood, while the coffee chilled, the rice cooled, the bacon congealed, and all the provisions, cooked and uncooked, gathered entomological specimens. At the last, the poor bedeviled theorist made a hasty meal of scorched food, brazenly postponed the washing of dishes until the morrow, and coiled about his hummocky couch to dream the nightmares of complete exhaustion.

Poor Dick! I knew exactly how he felt, how the low afternoon sun scorched, how the fire darted out at unexpected places, how the smoke followed him around, no matter on which side of the fire he placed himself, how the flies all took to biting when both hands were occupied, and how they all miraculously disappeared when he had set down the frying pan and knife to fight them. I could sympathize, too, with the lonely, forlorn,