Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
من داخل الكتاب
النتائج 1-3 من 23
الصفحة 68
I. CORVINO'S COMIC ITERATIONS The most intensely obsessed character in the play , Corvino , reacts in violent language to Celia's innocent glance out the window when she drops her handkerchief to Scoto . Meanwhile the audience sees the ...
I. CORVINO'S COMIC ITERATIONS The most intensely obsessed character in the play , Corvino , reacts in violent language to Celia's innocent glance out the window when she drops her handkerchief to Scoto . Meanwhile the audience sees the ...
الصفحة 93
First Volpone , having heard of the beauties of Corvino's wife Celia , goes forth disguised to see her . Then Mosca eventually succeeds in persuading Corvino to bring her to his master at a fixed time .
First Volpone , having heard of the beauties of Corvino's wife Celia , goes forth disguised to see her . Then Mosca eventually succeeds in persuading Corvino to bring her to his master at a fixed time .
الصفحة 108
Jonson leaves the audience to draw its own conclusions as to just why Mosca chooses to tell Volpone about Corvino's wife , “ The blaziang starre of Italie , " and to do so in terms calculated to appeal both to his patron's sensuality ...
Jonson leaves the audience to draw its own conclusions as to just why Mosca chooses to tell Volpone about Corvino's wife , “ The blaziang starre of Italie , " and to do so in terms calculated to appeal both to his patron's sensuality ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young