Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
من داخل الكتاب
النتائج 1-3 من 10
الصفحة 29
The False Ending in Volpone Stephen Greenblatt This essay aims at exploring Jonson's use in Volpone of a characteristic formal device of Elizabethan and Jacobean drama , and of his own plays in particular , the false ending .
The False Ending in Volpone Stephen Greenblatt This essay aims at exploring Jonson's use in Volpone of a characteristic formal device of Elizabethan and Jacobean drama , and of his own plays in particular , the false ending .
الصفحة 49
Like other Elizabethans , Jonson learned much of his art in comedy from Plautus and Terence and their Italian followers . And he paid much more attention than his rivals to Renaissance theory , including the principle of concentration ...
Like other Elizabethans , Jonson learned much of his art in comedy from Plautus and Terence and their Italian followers . And he paid much more attention than his rivals to Renaissance theory , including the principle of concentration ...
الصفحة 106
... The Case Is Altered and Every Man in His Humour had borne witness to Jonson's uneasiness with the kind of linear , boy - gets - girl plot inherited from Greek New Comedy , the plot which for other Elizabethan dramatists was staple .
... The Case Is Altered and Every Man in His Humour had borne witness to Jonson's uneasiness with the kind of linear , boy - gets - girl plot inherited from Greek New Comedy , the plot which for other Elizabethan dramatists was staple .
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young