Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
من داخل الكتاب
النتائج 1-3 من 15
الصفحة 63
Jonson restates the principles Mosca stands for in The Alchemist , with fresh embellishments of burlesque : for instance , in the scene ( 2.5 ) where Subtle calls on the well - schooled Face to recite " the vexations , and the ...
Jonson restates the principles Mosca stands for in The Alchemist , with fresh embellishments of burlesque : for instance , in the scene ( 2.5 ) where Subtle calls on the well - schooled Face to recite " the vexations , and the ...
الصفحة 84
In The Alchemist too the payments exacted by Face and Subtle of their clients— Mammon's andirons , the dollars of the Puritans , Drugger's tobacco or portague , Dapper's twenty nobles or his " paper with a spur - ryal in't ” — are ...
In The Alchemist too the payments exacted by Face and Subtle of their clients— Mammon's andirons , the dollars of the Puritans , Drugger's tobacco or portague , Dapper's twenty nobles or his " paper with a spur - ryal in't ” — are ...
الصفحة 103
He takes an interest too in " physic " in the subsidiary sense of " cosmetics " : Which lady sleepes with her owne face , a nights ? Which puts her teeth off , with her clothes , in court ? Or , which her hayre ? which her complexion ?
He takes an interest too in " physic " in the subsidiary sense of " cosmetics " : Which lady sleepes with her owne face , a nights ? Which puts her teeth off , with her clothes , in court ? Or , which her hayre ? which her complexion ?
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لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young