Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
من داخل الكتاب
النتائج 1-3 من 43
الصفحة 26
Another conviction of the first audience would be more decisive for the motivation : that the rulers of Venice are immensely proud aristocrats , though of course all " in trade . " Jonson was no good at presenting aristocratic dignity ...
Another conviction of the first audience would be more decisive for the motivation : that the rulers of Venice are immensely proud aristocrats , though of course all " in trade . " Jonson was no good at presenting aristocratic dignity ...
الصفحة 117
In the early play , Every Man in His Humour ( 1598 ) , for instance , Musco , like the conventional much abused slave of Roman comedy , bounces back irrepressibly with fresh schemes that the audience wishes to see succeed .
In the early play , Every Man in His Humour ( 1598 ) , for instance , Musco , like the conventional much abused slave of Roman comedy , bounces back irrepressibly with fresh schemes that the audience wishes to see succeed .
الصفحة 127
These judges may have already revealed their dullness and will subsequently show their venality , but what member of Jonson's audience could have arrived at a different verdict after hearing only the evidence presented in the first ...
These judges may have already revealed their dullness and will subsequently show their venality , but what member of Jonson's audience could have arrived at a different verdict after hearing only the evidence presented in the first ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young