Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
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الصفحة 8
To discover the errors that have intervened is to awaken antiquity while making no alliances with the present , yet also is to call all former times into question . Here , at least , Jonson admirably joins himself to Bacon ...
To discover the errors that have intervened is to awaken antiquity while making no alliances with the present , yet also is to call all former times into question . Here , at least , Jonson admirably joins himself to Bacon ...
الصفحة 41
Alvin Kernan , who has noted the many parallels , suggests ( in his edition on Volpone ) that Jonson is working to distinguish false art from true : “ Just as Volpone's opening speech on gold calls our attention to those vital natural ...
Alvin Kernan , who has noted the many parallels , suggests ( in his edition on Volpone ) that Jonson is working to distinguish false art from true : “ Just as Volpone's opening speech on gold calls our attention to those vital natural ...
الصفحة 63
Jonson restates the principles Mosca stands for in The Alchemist , with fresh embellishments of burlesque : for instance , in the scene ( 2.5 ) where Subtle calls on the well - schooled Face to recite " the vexations , and the ...
Jonson restates the principles Mosca stands for in The Alchemist , with fresh embellishments of burlesque : for instance , in the scene ( 2.5 ) where Subtle calls on the well - schooled Face to recite " the vexations , and the ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young