Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
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النتائج 1-3 من 29
الصفحة 106
But is was not until 1606 that he seems to have discovered Aristophanes creatively , understanding how this great dra- matist might provide for him what Greek New Comedy had given most of his dramatic contemporaries , including ...
But is was not until 1606 that he seems to have discovered Aristophanes creatively , understanding how this great dra- matist might provide for him what Greek New Comedy had given most of his dramatic contemporaries , including ...
الصفحة 117
While similar forms of violence and deceit occurred , for example , in Jonson's early plays based on Roman intrigue comedy , his understanding of the moral implications of conspiracy was different in his middle plays .
While similar forms of violence and deceit occurred , for example , in Jonson's early plays based on Roman intrigue comedy , his understanding of the moral implications of conspiracy was different in his middle plays .
الصفحة 135
Barish , Jonas A. Ben Jonson and the Language of Prose Comedy . Cambridge : Harvard University Press , 1960. Reprint . New York : Norton , 1970 . " The Double Plot in Volpone . " Modern Philology 51 ( 1953 ) : 83–92 . Barton , Anne .
Barish , Jonas A. Ben Jonson and the Language of Prose Comedy . Cambridge : Harvard University Press , 1960. Reprint . New York : Norton , 1970 . " The Double Plot in Volpone . " Modern Philology 51 ( 1953 ) : 83–92 . Barton , Anne .
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young