Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
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الصفحة
Leo Salingar traces an overt metaphor for Jonson's comic form in the philosopher's stone of alchemy , instrumental both in Volpone and in Jonson's other comic masterpiece , The Alchemist . Comic language , rather than form , is L. A. ...
Leo Salingar traces an overt metaphor for Jonson's comic form in the philosopher's stone of alchemy , instrumental both in Volpone and in Jonson's other comic masterpiece , The Alchemist . Comic language , rather than form , is L. A. ...
الصفحة 67
Comic Language in Volpone L. A. Beaurline Ben Jonson was especially skillful in his verbal repetitions , and his work offers many illustration of their possibilities . Jonson exploits them to such an extent that speeches often seem ...
Comic Language in Volpone L. A. Beaurline Ben Jonson was especially skillful in his verbal repetitions , and his work offers many illustration of their possibilities . Jonson exploits them to such an extent that speeches often seem ...
الصفحة 73
But when he praised a great beauty or a great virtue , he could be more expansive , and when he depicted zany comic figures he gave freer play to his powers . It has long been recognized , for example , that Jonson was particularly ...
But when he praised a great beauty or a great virtue , he could be more expansive , and when he depicted zany comic figures he gave freer play to his powers . It has long been recognized , for example , that Jonson was particularly ...
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لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young