Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
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الصفحة 16
But as Velasquez was just then painting the similar figures who satisfied . the Court of Spain it would be hard to argue that Jonson was malignantly making his satire worse than the reality . We are hampered in reading , here and later ...
But as Velasquez was just then painting the similar figures who satisfied . the Court of Spain it would be hard to argue that Jonson was malignantly making his satire worse than the reality . We are hampered in reading , here and later ...
الصفحة 93
The point is that Volpone and Mosca are not to be stopped by outside forces ( Bonario and Celia are easily outwitted and imprisoned thanks to the twisted testimony of Volpone's dupes in court ) , but stopped by a process which will more ...
The point is that Volpone and Mosca are not to be stopped by outside forces ( Bonario and Celia are easily outwitted and imprisoned thanks to the twisted testimony of Volpone's dupes in court ) , but stopped by a process which will more ...
الصفحة 98
Institutionalized justice in both plays , whether the Roman Senate or the court presided over in Venice by the Avocatori , is a farce . And there are no strong , good characters in either play who can amend as well as recognize huan ...
Institutionalized justice in both plays , whether the Roman Senate or the court presided over in Venice by the Avocatori , is a farce . And there are no strong , good characters in either play who can amend as well as recognize huan ...
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المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young