Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
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النتائج 1-3 من 22
الصفحة 8
Perhaps Jonson is chastising us also , knowing that we too would delight in Volpone . The representation of gusto , when worked with Jonson's power , becomes a gusto that cap- tivates us , so that it scarcely matters if we remember how ...
Perhaps Jonson is chastising us also , knowing that we too would delight in Volpone . The representation of gusto , when worked with Jonson's power , becomes a gusto that cap- tivates us , so that it scarcely matters if we remember how ...
الصفحة 75
What matters is the emphasis here on " delights " in free invention of one's conceit . Volpone goes on to commend his sport in getting money , and his great negative catalogues help to build an impression of extraordinary vanity .
What matters is the emphasis here on " delights " in free invention of one's conceit . Volpone goes on to commend his sport in getting money , and his great negative catalogues help to build an impression of extraordinary vanity .
الصفحة 90
( 1.4.139-42 ) This delight in creativity , however perverse , gives enormous zest and en- ergy to the play . Such energy is missing from The Alchemist , where the gulling of people who believe in the powers of alchemy is carried on ...
( 1.4.139-42 ) This delight in creativity , however perverse , gives enormous zest and en- ergy to the play . Such energy is missing from The Alchemist , where the gulling of people who believe in the powers of alchemy is carried on ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young