Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
من داخل الكتاب
النتائج 1-3 من 28
الصفحة 16
... and seems unable to imagine any directly good way of life - cheating the cheats is about all he can rise to . As the play develops , this comes to seem pathetic ; but one cannot feel that the effect is intended , because the frame ...
... and seems unable to imagine any directly good way of life - cheating the cheats is about all he can rise to . As the play develops , this comes to seem pathetic ; but one cannot feel that the effect is intended , because the frame ...
الصفحة 58
Not to say what he is after is part of his mystification ; and , if anything , he thinks of himself as a Machiavellian , rather than a vulgar adept ; ( part of the effect of Sir Pol's role in the comedy is to throw light on this kind of ...
Not to say what he is after is part of his mystification ; and , if anything , he thinks of himself as a Machiavellian , rather than a vulgar adept ; ( part of the effect of Sir Pol's role in the comedy is to throw light on this kind of ...
الصفحة 119
The effect is to place Mosca in the pivotal position of all character relationships , even while Volpone holds center stage in a series of plays within the play . Mosca even succeeds in inducing Bonario to eavesdrop on his father ...
The effect is to place Mosca in the pivotal position of all character relationships , even while Volpone holds center stage in a series of plays within the play . Mosca even succeeds in inducing Bonario to eavesdrop on his father ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young