Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
من داخل الكتاب
النتائج 1-3 من 17
الصفحة 18
We are expected to feel a basic sympathy for him , as for Punch ; and this is the chief source of the poetry of the play . Simple - minded readers , and I too , expect poetry to have a certain warmth and expansiveness , even a feeling ...
We are expected to feel a basic sympathy for him , as for Punch ; and this is the chief source of the poetry of the play . Simple - minded readers , and I too , expect poetry to have a certain warmth and expansiveness , even a feeling ...
الصفحة 72
They are intrinsic values especially important to comedy because individual speeches need to keep up a liveliness , a high - spirited sense of pleasure that is not expected in serious drama . Lyly , Congreve , and Oscar Wilde sus- ...
They are intrinsic values especially important to comedy because individual speeches need to keep up a liveliness , a high - spirited sense of pleasure that is not expected in serious drama . Lyly , Congreve , and Oscar Wilde sus- ...
الصفحة 119
What she stumbles into on the Rialto is not the con- spiracy she expected , but another one : her husband keeping close counsel with a counterfeit English spy , Peregrine , whom she mistakes for “ A female deuill , in a male out - side ...
What she stumbles into on the Rialto is not the con- spiracy she expected , but another one : her husband keeping close counsel with a counterfeit English spy , Peregrine , whom she mistakes for “ A female deuill , in a male out - side ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young