Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
من داخل الكتاب
النتائج 1-3 من 35
الصفحة 29
The False Ending in Volpone Stephen Greenblatt This essay aims at exploring Jonson's use in Volpone of a characteristic formal device of Elizabethan and Jacobean drama , and of his own plays in particular , the false ending .
The False Ending in Volpone Stephen Greenblatt This essay aims at exploring Jonson's use in Volpone of a characteristic formal device of Elizabethan and Jacobean drama , and of his own plays in particular , the false ending .
الصفحة 41
If at the false ending Jonson keeps the audience in their seats and thus proves that Volpone's triumph is empty , so at the true ending , he makes part of the meaning of the work the audience's exit from the playhouse .
If at the false ending Jonson keeps the audience in their seats and thus proves that Volpone's triumph is empty , so at the true ending , he makes part of the meaning of the work the audience's exit from the playhouse .
الصفحة 130
In so doing , he simultaneously managed to ridicule the false forms of theatricality that to his mind had infected the English stage and to create a comic form that remains “ neere , and familiarly allied to the time " ( Every Man out ...
In so doing , he simultaneously managed to ridicule the false forms of theatricality that to his mind had infected the English stage and to create a comic form that remains “ neere , and familiarly allied to the time " ( Every Man out ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young