Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
من داخل الكتاب
النتائج 1-3 من 22
الصفحة 39
( 5.1.5-7 ) There is nothing in the play to make us believe that the " power " Volpone suddenly fears is anything but an illusion , a superstitious projec- tion . The threat here is not the supernatural but the physical : the fear of ...
( 5.1.5-7 ) There is nothing in the play to make us believe that the " power " Volpone suddenly fears is anything but an illusion , a superstitious projec- tion . The threat here is not the supernatural but the physical : the fear of ...
الصفحة 40
This is , in a sense , the supreme triumph of Volpone's art , for his strategy is to turn what he fears into fiction , and what he fears most of all is death . But at this point , Mosca intervenes , in an attempt to trap Volpone in this ...
This is , in a sense , the supreme triumph of Volpone's art , for his strategy is to turn what he fears into fiction , and what he fears most of all is death . But at this point , Mosca intervenes , in an attempt to trap Volpone in this ...
الصفحة 72
( 2.7.16-18 ) His neurotic fear makes him vulnerable to precisely Mosca's kind of appeal , so he plays the clown , pretending to show his liberty when we know his bondage . II . EXUBERANT SPEECH Comic dialogue has other values aside ...
( 2.7.16-18 ) His neurotic fear makes him vulnerable to precisely Mosca's kind of appeal , so he plays the clown , pretending to show his liberty when we know his bondage . II . EXUBERANT SPEECH Comic dialogue has other values aside ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young