Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
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الصفحة 68
An instructive test of this technique may be given to potentially painful and serious situations that Jonson renders comic , and Volpone lends itself to this test particularly well because many critics have doubted that it is really a ...
An instructive test of this technique may be given to potentially painful and serious situations that Jonson renders comic , and Volpone lends itself to this test particularly well because many critics have doubted that it is really a ...
الصفحة 99
He may not be very nice , but given the choice , no reader would identify with the stupid crow . Mosca the Fly is also marked off by his name from the feathered bipeds who cluster about the deathbed of the Fox .
He may not be very nice , but given the choice , no reader would identify with the stupid crow . Mosca the Fly is also marked off by his name from the feathered bipeds who cluster about the deathbed of the Fox .
الصفحة 125
The collapse of social bonds and contracts under the pressure of conspiracy is given special ironic force in Volpone as well as King Lear by the inclusion of formal trial scenes . Volpone and his allies are brought to trial twice in the ...
The collapse of social bonds and contracts under the pressure of conspiracy is given special ironic force in Volpone as well as King Lear by the inclusion of formal trial scenes . Volpone and his allies are brought to trial twice in the ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young