Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
من داخل الكتاب
النتائج 1-3 من 17
الصفحة 99
Even in Aesop , the fox always seems more compelling and also more fully human than his victim . He may not be very nice , but given the choice , no reader would identify with the stupid crow . Mosca the Fly is also marked off by his ...
Even in Aesop , the fox always seems more compelling and also more fully human than his victim . He may not be very nice , but given the choice , no reader would identify with the stupid crow . Mosca the Fly is also marked off by his ...
الصفحة 104
In this context , Jonson's stress upon the ephemeral , yielding nature of actual human flesh becomes increasingly uncomfortable . Volpone seizes upon a similar contrast , and carries it to an even further extreme .
In this context , Jonson's stress upon the ephemeral , yielding nature of actual human flesh becomes increasingly uncomfortable . Volpone seizes upon a similar contrast , and carries it to an even further extreme .
الصفحة 125
The well - spring of the confusion is , as always in Jonson , the human tongue divorced from truth and reality . To be persuasive in a world such as Volpone's Venice , the fast - talker need only slightly ...
The well - spring of the confusion is , as always in Jonson , the human tongue divorced from truth and reality . To be persuasive in a world such as Volpone's Venice , the fast - talker need only slightly ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young