Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
من داخل الكتاب
النتائج 1-3 من 27
الصفحة 72
( 2.7.16-18 ) His neurotic fear makes him vulnerable to precisely Mosca's kind of appeal , so he plays the clown , pretending to show his liberty when we know his bondage . II . EXUBERANT SPEECH Comic dialogue has other values aside ...
( 2.7.16-18 ) His neurotic fear makes him vulnerable to precisely Mosca's kind of appeal , so he plays the clown , pretending to show his liberty when we know his bondage . II . EXUBERANT SPEECH Comic dialogue has other values aside ...
الصفحة 105
This kind of collision between deliquescing flesh and the hard , inanimate gems and gold it so incomprehensibly lusts to acquire informs Volpone throughout , contributing to a unity , a singleness of impression , that is new in Jonson's ...
This kind of collision between deliquescing flesh and the hard , inanimate gems and gold it so incomprehensibly lusts to acquire informs Volpone throughout , contributing to a unity , a singleness of impression , that is new in Jonson's ...
الصفحة 116
Jonson's abhorence of this kind of doing unto others , fighting secrecy with secrecy , goes some way toward explaining the pattern of personality and plotting in Volpone . Jonson had been personally harassed by government informers ...
Jonson's abhorence of this kind of doing unto others , fighting secrecy with secrecy , goes some way toward explaining the pattern of personality and plotting in Volpone . Jonson had been personally harassed by government informers ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young