Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
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الصفحة
In Stephen Greenblatt's study , the formal device of the false ending , at the close of act 4 , is analyzed as a means for better understanding the very different end of act 5. Leo Salingar traces an overt metaphor for Jonson's comic ...
In Stephen Greenblatt's study , the formal device of the false ending , at the close of act 4 , is analyzed as a means for better understanding the very different end of act 5. Leo Salingar traces an overt metaphor for Jonson's comic ...
الصفحة 63
... the Hermetic art with a minimum of distortion , Jonson incidentally defines the speaker's role as well . Face is like the claims for the philosopher's stone because he can be almost anything or everything at once - which means that ...
... the Hermetic art with a minimum of distortion , Jonson incidentally defines the speaker's role as well . Face is like the claims for the philosopher's stone because he can be almost anything or everything at once - which means that ...
الصفحة 103
But dismem- berment is by no means the only , or even the chief , indignity inflicted upon bodies in the play . Jonson allows Sejanus to suggest to the physician Eu- demus a series of positively Swiftian enquiries about the urine and ...
But dismem- berment is by no means the only , or even the chief , indignity inflicted upon bodies in the play . Jonson allows Sejanus to suggest to the physician Eu- demus a series of positively Swiftian enquiries about the urine and ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young