Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
من داخل الكتاب
النتائج 1-3 من 33
الصفحة 19
one's formative society in this way is the grandest theme of all literature , because it is the only means of moral progress , the establishment of some higher ethical concept . Our modern neo - Christian critics seem to imply that what ...
one's formative society in this way is the grandest theme of all literature , because it is the only means of moral progress , the establishment of some higher ethical concept . Our modern neo - Christian critics seem to imply that what ...
الصفحة 92
... manipulation given Volpone and Mosca a certain moral credit , however much they share their standards of value . ... make us admire the former for reasons which have little to do with morality , in precisely the way that we admire a ...
... manipulation given Volpone and Mosca a certain moral credit , however much they share their standards of value . ... make us admire the former for reasons which have little to do with morality , in precisely the way that we admire a ...
الصفحة 117
While similar forms of violence and deceit occurred , for example , in Jonson's early plays based on Roman intrigue comedy , his understanding of the moral implications of conspiracy was different in his middle plays .
While similar forms of violence and deceit occurred , for example , in Jonson's early plays based on Roman intrigue comedy , his understanding of the moral implications of conspiracy was different in his middle plays .
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young