Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
من داخل الكتاب
النتائج 1-3 من 33
الصفحة 42
and social forces which have been perverted by the substitution of a gold coin for the sun , so here our attention is focused on the nature of true medicine , and true playing , by the distortion of both those arts wrought by greed and ...
and social forces which have been perverted by the substitution of a gold coin for the sun , so here our attention is focused on the nature of true medicine , and true playing , by the distortion of both those arts wrought by greed and ...
الصفحة 56
Volpone speaks like a virtuoso or an artist , in the special Renaissance sense of one initiated into Nature's secrets . He does not practise alchemy ( he need not take the trouble ) , but he both nourishes and feeds upon the same ...
Volpone speaks like a virtuoso or an artist , in the special Renaissance sense of one initiated into Nature's secrets . He does not practise alchemy ( he need not take the trouble ) , but he both nourishes and feeds upon the same ...
الصفحة 103
Against this icy glare , which by its nature cannot alter or decay , Jonson poises something diametrically opposed an overpowering sense of the softness and corruptibility of hu- man flesh . Here , as with so much of Volpone , Sejanus ...
Against this icy glare , which by its nature cannot alter or decay , Jonson poises something diametrically opposed an overpowering sense of the softness and corruptibility of hu- man flesh . Here , as with so much of Volpone , Sejanus ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young