Ben Jonson's Volpone, Or the FoxHarold Bloom Chelsea House Publishers, 1988 - 144 من الصفحات Volpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
من داخل الكتاب
النتائج 1-3 من 7
الصفحة 41
... opening moments of the play . As one may say that Lear symbolically kills Cordelia in the first scene and spends the rest of the play enduring the consequences of his action , so as the curtain rises Volpone performs the determining ...
... opening moments of the play . As one may say that Lear symbolically kills Cordelia in the first scene and spends the rest of the play enduring the consequences of his action , so as the curtain rises Volpone performs the determining ...
الصفحة 54
... opening speech is a " hymn " which " transfigures avarice with the glamour of religion and idealism . " To this comment , L. C. Knights has objected that it omits the essential , Jonson's irony ; the speech " brings the popular and ...
... opening speech is a " hymn " which " transfigures avarice with the glamour of religion and idealism . " To this comment , L. C. Knights has objected that it omits the essential , Jonson's irony ; the speech " brings the popular and ...
الصفحة 100
... opening scene , must be deduced from their behaviour as a whole , not from anything they say about themselves or each other . It is a technique dependent upon inference and suggestion , rather than Shakespearean revelation . Another ...
... opening scene , must be deduced from their behaviour as a whole , not from anything they say about themselves or each other . It is a technique dependent upon inference and suggestion , rather than Shakespearean revelation . Another ...
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
AESON Alchemist alchemy Aristophanes audience Bacon Barabas Bartholomew Fair Ben Jonson Celia and Bonario characters cheat comedy comic conspiracy conspirators Corbaccio Corvino court critics Cynthia's Revels dead deceptions delight dialogue disguise doth dramatic dramatist dupes ears effect Elizabethan English expected false ending fear feel flatterers gold gulls Harold Bloom haue heir human Humour imagination imposture innocence Jacobean jewels Jonson Jonson's play kind L. C. Knights Lady Would-be language laughter live Lollia Paulina master mind miser mock modern moral Mosca and Volpone nature never palsy parasite performance pleasure plot Plutus poet poetic poetry praise present rhetoric rich satire scheme Scoto secrecy seems Sejanus sense sexual Shakespeare Silent Woman speech stage Subtle suggests tells theatrical thee things thou Timon trial scene triumph true truth turn University Venetian Venice Volpone and Mosca Volpone's Voltore Voltore's wealth wife William Empson words