Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
من داخل الكتاب
النتائج 1-3 من 12
الصفحة 32
What is striking about this monosyllabic line — and about the entire opening of act 5 — is its deadness . Volpone throughout has been a master of the alchemy of language , transforming vulgar wealth into precious won- ders ...
What is striking about this monosyllabic line — and about the entire opening of act 5 — is its deadness . Volpone throughout has been a master of the alchemy of language , transforming vulgar wealth into precious won- ders ...
الصفحة 41
The assault on metamorphosis strikes not only at Volpone as a character but at the whole world which he has brought into being in the opening moments of the play . As one may say that Lear symbolically kills Cordelia in the first scene ...
The assault on metamorphosis strikes not only at Volpone as a character but at the whole world which he has brought into being in the opening moments of the play . As one may say that Lear symbolically kills Cordelia in the first scene ...
الصفحة 118
Acting on this awarness , Mosca pretends in the opening lines of the next scene to conspire with Voltore against Volpone and the rival captatores : " Onely you / ( Of all the rest ) are he , commands his loue " ( 1.3.1–2 ) .
Acting on this awarness , Mosca pretends in the opening lines of the next scene to conspire with Voltore against Volpone and the rival captatores : " Onely you / ( Of all the rest ) are he , commands his loue " ( 1.3.1–2 ) .
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young