Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
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النتائج 1-3 من 18
الصفحة 73
But when he praised a great beauty or a great virtue , he could be more expansive , and when he depicted zany comic figures ... interesting to see how , in terms of poetic theory , his comic style was related to the language of praise .
But when he praised a great beauty or a great virtue , he could be more expansive , and when he depicted zany comic figures ... interesting to see how , in terms of poetic theory , his comic style was related to the language of praise .
الصفحة 74
a man should live up to ; 2 ) the establishment of the poet's true relation to the object of praise , his sincere ... 3 ) expression in restrained but dignified language , appropriate to the thing praised and accompanied by little ...
a man should live up to ; 2 ) the establishment of the poet's true relation to the object of praise , his sincere ... 3 ) expression in restrained but dignified language , appropriate to the thing praised and accompanied by little ...
الصفحة 81
Mosca's self - praise is , of course , just , because he has extraordinary charm and ability to create illusion ... no doubt that his monologue delineates the great vice of praising , as Jonson calls it in Discoveries ( 11.1586-1635 ) .
Mosca's self - praise is , of course , just , because he has extraordinary charm and ability to create illusion ... no doubt that his monologue delineates the great vice of praising , as Jonson calls it in Discoveries ( 11.1586-1635 ) .
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young