Ben Jonson's Volpone, Or the FoxVolpone / William Empson -- The false ending in Volpone / Stephen Greenblatt -- Comic form in Ben Jonson / Leo Salingar -- Comic language in Volpone / L.A. Bea urline -- The double view in Volpone / C.N. Manlove -- Volpone / Anne Barton -- The play of conspirancies in Volpone / William W. E. Slights. |
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النتائج 1-3 من 26
الصفحة 34
Part of the contemporary fascination of Jonson's play is precisely that we feel ourselves present at the very fountainhead of modern consciousness , present just as the decisive , forma- tive steps in the direction of our own minds are ...
Part of the contemporary fascination of Jonson's play is precisely that we feel ourselves present at the very fountainhead of modern consciousness , present just as the decisive , forma- tive steps in the direction of our own minds are ...
الصفحة 98
... reinforced elsewhere in the play - that this honourable but somewhat priggish young man over- presents his virtue . ... before taking up its present , unnatural lodging in the body of an hermaphrodite kept as a salaried oddity in ...
... reinforced elsewhere in the play - that this honourable but somewhat priggish young man over- presents his virtue . ... before taking up its present , unnatural lodging in the body of an hermaphrodite kept as a salaried oddity in ...
الصفحة 126
As with Volpone's masterful obfuscation in the mountebank scene , Voltore's speeches in the present instance flow into the realm of insubstantial jargon . He asserts , with Corvino's nodded consent , that the wronged hus- band knew of a ...
As with Volpone's masterful obfuscation in the mountebank scene , Voltore's speeches in the present instance flow into the realm of insubstantial jargon . He asserts , with Corvino's nodded consent , that the wronged hus- band knew of a ...
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المحتوى
Volpone | 13 |
The False Ending in Volpone | 29 |
Volpone and | 45 |
حقوق النشر | |
5 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action Alchemist alchemy already appear Aristophanes attempt audience Bacon become believe Bonario calls Celia characters comedy comes comic conspiracy Corbaccio Corvino course court critics dead death delight disguise effect Elizabethan English expected Face fact false fear feel final flatterers force give given goes gold gulls heir hopes human Humour imagination Jonson kind Lady language later learning lines live lost master means mind moral Mosca nature never offers once opening parasite performance play pleasure plot poet possession praise present reason rhetoric rich satire scene scheme seems sense sexual speaks speech stage success suggests surely taken tells theatrical thee things thou thought trial triumph true truth turn University Venice Volpone Volpone's Voltore wealth whole wife Would-be young